Living in relative seclusion, Ev and Ec rely on the kindness of strangers as they struggle with their own internal and external problems. Ev not only suffers from agoraphobia, she believes she is dying from a fatal degenerative disease. Ec, who is obsessed with his eleventh toe (which he has named Toto), is grieving over his estranged fiancée who left him at the altar. Although Ev declares that hell hath no fury like a mother’s love, the Nuttalls prove that sometimes family can be your worst enemy.

Michael Healey trained as an actor at Toronto’s Ryerson Theatre School in the mid-eighties. He began writing for the stage in the early nineties and his first play, a solo one-act called Kicked, was produced at the Fringe of Toronto Festival in 1996. He subsequently toured the play across Canada and internationally, winning the Dora Mavor Moore Award for best new play. The Drawer Boy, his first full-length play, premiered in Toronto in 1999, winning the Dora Award for best new play, the Chalmers Canadian Playwriting Award, and the Governor General’s Literary Award (Canada’s highest literary honour). It has been translated into multiple languages and continues to be produced regularly across North America and internationally. Healey’s other works include The Road to Hell (co-authored with Kate Lynch), Plan B, Rune Arlidge, The Innocent Eye Test, The Nuttalls, Are You Okay, and 1979. His trilogy focusing on Canadian values and politics—Generous, Courageous, and Proud—met with great critical success and have had multiple productions. In all, his plays have won the Dora Mavor Moore Award for best new play five times. He has also adapted works by Chekhov, Molnar, Hecht and MacArthur, Dürrenmatt, and Shaw for the Stratford Festival, the Shaw Festival, and Soulpepper. He continues to find work as an actor occasionally.

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“…skillfully crafted… suitably silly summer fare.”
—J. Kelly Nestruck, The Globe and Mail

The Globe and Mail