Two-time Governor General’s Award-winning playwright Morris Panych has done with What Lies Before Us the almost unthinkable: he has turned Waiting for Godot into a comedy while simultaneously heightening rather than minimizing the profound existential questions it asks. But this play is no mere parody of a theatre classic, nor is it a “history play.” The roots of Panych’s comedy extend to the confrontation of Shakespeare’s “rude mechanicals” with their “educated betters,” and to the fundamentally and hilariously irreconcilable differences between the world views of Don Quixote and Sancho Panza.

The English Mr. Keating and the Scottish Mr. Ambrose are assistant surveyors camped in the Rocky Mountains with Mr. Wing, their Chinese coolie, starving as they wait for “the Major,” an American adventurer, to show up and lead their railroad survey party in the nation-building enterprise called Canada. Of course, the Major never shows up, leaving the rude and uneducated Keating and the disillusioned and highly schooled Ambrose to engage in an increasingly absurd hair-splitting and sidesplitting dialogue about the meaning of life, and both of them utterly frustrated in their ongoing attempts to communicate with Wing, who speaks only Cantonese. Heightening our sense of the darkly comic is that we know things are not going to end well: Keating is dying of rabies he got from a squirrel bite, and Ambrose is about to succumb to a gangrenous broken leg, which no one can quite bring himself to cut off. Functioning as both a comic foil to Keating and Ambrose, and an incomprehensible chorus to the audience (unless it understands Cantonese), Wing is about to have the last word. Finally understood, translated into English through a trick of stagecraft, Wing’s final speech completely inverts the play with a devastatingly poignant version of the events we have just witnessed.

Originally from Calgary, Alberta, Morris Panych is arguably Canada’s most celebrated playwright and director. His plays have garnered countless awards, including two Governor General’s Literary Awards for Drama (for The Ends of the Earth and Girl in the Goldfish Bowl), fourteen Jessie Richardson Awards (Vancouver), and five Dora Mavor Moore Awards (Toronto). His plays have been produced in over two dozen languages and across the globe. Mr. Panych has directed over ninety productions across Canada and the US. He was nominated for a Canadian Screen Award in 2021 for his CBC Gem webseries Hey Lady!He has appeared in over fifty theatre productions and in numerous television and film roles. He has directed more than ninety theatre productions and written over a dozen plays that have been translated and produced throughout the world. The 2009 Off-Broadway production of his play Vigil opened to rave reviews. Under the title Auntie & Me, Vigil was also produced in London in 2003–04; and in French at Théâtre La Bruyère in Paris in 2005; and his classic 7 Stories ranks 9th among the ten best selling plays in Canada, outselling the Coles version of Romeo & Juliet.For more information on the work and career of Morris Panych, visit his website.

Morris Panych's profile page

• Short-listed, Governor General's Literary Award for Drama

“Morris Panych is … neurotic, intemperate, ambitious, talented, funny, feared, beloved … and altogether impossible to ignore.” – Toronto Life

“Panych neatly balances existential questions with funny dialogue and pleasingly absurd characters.” – Canadian Literature