Performing Arts History & Criticism
Trash
A Queer Film Classic
- Publisher
- Arsenal Pulp Press
- Initial publish date
- Oct 2009
- Category
- History & Criticism, Gay Studies
-
Paperback / softback
- ISBN
- 9781551522616
- Publish Date
- Oct 2009
- List Price
- $15.95
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Description
Trash, one of three inaugural titles in Arsenal's film book series Queer Film Classics, delves into the legendary 1970 film that was arguably the greatest collaboration between director Paul Morrissey and producer Andy Warhol.
The film Trash is a down-and-out domestic melodrama about a decidedly eccentric couple: Joe, an impotent junkie (played by Warhol film regular Joe Dallesandro), and Holly (played by trans Warhol superstar Holly Woodlawn), Joe's feisty and sexually frustrated girlfriend. Joe is the hunky yet passive center around whom proud Holly orbits; while Morrissey intended to show that "there's no difference between a person using drugs and a piece of refuse," Woodlawn's incredible turn reverses his logic: she makes trash as precious as human beings.
Author Jon Davies argues that Trash, so comical yet so heartrending, is an allegory for the experiences of Dallesandro, Woodlawn, their co-stars, and countless other human "leftovers," whose self-fashioning for Warhol and Morrissey's gaze transformed them---if only fleetingly---from nobodies into somebodies.
The Queer Film Classics series consists of critical yet populist monographs on classic films of interest to LGBT audiences written by esteemed film scholars and critics. The series is edited by authors Thomas Waugh (Out/Lines, Lust Unearthed) and Matthew Hays (The View from Here).
About the authors
Jon Davies is a writer and curator based in Toronto. His writing has appeared in C Magazine, Canadian Art, GLQ: A Journal of Lesbian and Gay Studies, Animation Journal, Cinema Scope, Xtra! and many other publications. He has also contributed book chapters on filmmaker Todd Haynes and artists Candice Breitz, Luis Jacob, Ryan Trecartin, and Daniel Barrow. He has curated numerous screenings for the artists` film and video exhibitor Pleasure Dome, and for various venues in Toronto from Gallery TPW and Vtape to the Images Festival and Inside Out, as well as internationally. He most recently curated the traveling retrospective `People Like Us: The Gossip of Colin Campbell` for the Oakville Galleries, Ontario. He is currently Assistant Curator of Public Programs at The Power Plant Contemporary Art Gallery.
Thomas Waugh is the award-winning author or co-author of numerous books, including five for Arsenal Pulp Press: Out/Lines, Lust Unearthed, Montreal Main: A Queer Film Classic (with Jason Garrison), Comin' At Ya! (with David L. Chapman) and Gay Art: A Historic Collection (with Felix Lance Falkon). His other books include Hard to Imagine, The Fruit Machine, and The Romance of Transgression. He teaches film studies at Concordia University in Montreal, Canada, where he lives. He has published widely on political discourses and sexual representation in film and video, on lesbian and gay film and video, and has more recently undertaken interdisciplinary research and teaching on AIDS. He is also the founder and former coordinator of the Minor Programme in Interdisciplinary Studies in Sexuality at Concordia.
In addition to the titles below, Thomas is also co-editor (with Matthew Hays) of the Queer Film Classics series.
Matthew Hays is a Montreal-based critic, author, film festival programmer, and university instructor. He is the co-editor (with Thomas Waugh) of Arsenal Pulp's Queer Film Classics series. He has been a film critic and reporter for the weekly Montreal Mirror since 1993. His first book, The View from Here: Conversations with Gay and Lesbian Filmmakers (Arsenal Pulp Press), was cited by Quill & Quire as one of the best books of 2007 and won a 2008 Lambda Literary Award. His articles have appeared in a broad range of publications, including The Guardian, The Daily Beast, The Globe and Mail, The New York Times, Vice, The Walrus, The Advocate, The Toronto Star, The International Herald Tribune, Cineaste, Cineaction, Quill & Quire, This Magazine, The Hollywood Reporter, Canadian Screenwriter, and Xtra!. He teaches courses in journalism, communication studies and film studies at Concordia University, where he received his MA in communication studies in 2000. A two-time nominee for a National Magazine Award, Hays received the 2013 Concordia President's Award for Teaching Excellence. .
Matthew is also co-editor (with Thomas Waugh) of the Queer Film Classics series.
Editorial Reviews
What it means to be trash---and indeed, what it means to be a man---are questioned in this thoughtful monograph, part of Arsenal Pulp's new Queer Film Classics series.... With crisp and expressive prose, he reflects upon the offbeat film and the times and culture that inspired it. In this book, he makes the same argument that he asserts is the film's premise: that the people and things society deems worthless often dazzle with unexpected beauty.
-Quill and Quire
Quill and Quire
Davies delves behind the scenes, looking at the creative friction between Warhol and Morrissey---and Morrissey and the mise en scene in which he found himself working---and the full story of the film, from its weekend shooting schedule in Morriseey's basement to the critical reviews it garnered, with plenty of pages devoted to a scene-by-scene synopsis and analysis.
-EDGE Publications (Boston, Chicago, etc.)
EDGE Publications
[Davies] delves into the title theme on material and personal levels, considering their symbolic interplay. He also offers observations on the film's motif of redemption as seen through the lens of complex relationships.
-Library Journal
Library Journal
Any reader wishing to learn more about Warhol, Morrissey, Dallesandro, avant-garde film, and, especially, the poignantly brief Superstardom of Holly Woodlawn will find much to appreciate in Davies' scrupulous treatment, informed by great love for the material. Cineaste
Cineaste
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