Bartholomew the Englishman was a 13th century Franciscan friar and scholar whose only surviving work, De proprietatibus rerum (The Properties of Things), was intended as an encyclopaedia of the world. The Herb Garden is an imaginary representation of what his herbarium might have looked like. The dialect of the collection is a mix of middle and modern English, a verbal florilegium meant to explore the exuberant richness of the English language that much of contemporary poetry has scanted or forgotten. The collection is also conceived as a kind of “sapiential book,” a form of counsel literature or life manual with an emphasis on everyday practice and the poet's craft.

David Solway is the author of many books of poetry including the award-winning Modern Marriage, Bedrock, Chess Pieces, Saracen Island: The Poetry of Andreas Karavis and The Lover's Progress: Poems after William Hogarth, the latter illustrated by Marion Wagschal and adapted for the stage by Curtain Razors. His work has been anthologized in The Penguin Book of Canadian Verse, McClelland and Stewart's New Canadian Poetry, Border Lines: Contemporary Poetry in English from Copp Clark, and The Bedford Introduction to Literature from St. Martin's Press. Among his publications, Education Lost won the QSPELL Prize for Nonfiction and Random Walks was a finalist for Le Grand Prix du Livre de Montr?al, while his poetry collection Franklin's Passage won the prize. Solway publishes regularly in such journals as The Atlantic Monthly and Canadian Notes & Queries, and is an occasional contributor to the book pages of the National Post. His more specialized writings have appeared in the International Journal of Applied Semiotics, Policy Options: Institute on Research in Public Policy, and the Journal of Modern Greek Studies. Solway recently completed a new collection of poems entitled The Properties of Things and in the past three years has published two political books, The Big Lie: On Terror, Antisemitism and Identity and Hear, O Israel!. David Solway writes regularly for FrontPage Magazine and Pajamas Media, and is a contributing editor for The Metropolitan and Arts & Opinion.

David Solway's profile page

Solway is simply one of the best things to ever happen to English-Canadian poetry.

Carmine Starnino

Solway writes with a Gravesian dash and brio, taking (and giving) pleasure in a fine vocabulary, a gift for surprising figures, and a striking breadth of reference.

Richard Wilbur

An engaging writer with a distinctive style and a gift for pithy, arresting, and memorable turns of phrase.

Iain Higgins, University of British Columbia