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Fiction Literary

The Girl Who Was Saturday Night

by (author) Heather O'Neill

HarperCollins Publishers Ltd
Initial publish date
Apr 2015
  • eBook

    Publish Date
    May 2014
    List Price
  • Hardback

    Publish Date
    Apr 2014
    List Price
  • Paperback / softback

    Publish Date
    Apr 2015
    List Price
  • Paperback / softback

    Publish Date
    Oct 2014
    List Price

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Gorgeous twins Noushcka and Nicolas Tremblay live with their grandfather Loulou in a tiny, sordid apartment on Saint Laurent Boulevard in Montreal. They are hopelessly promiscuous, wildly funny and infectiously charming; the darlings of their down-and-out neighborhood. They are also the only children of the legendary French Canadian folk singer etienne Tremblay, who was famous for not just his brilliant lyrics about working-class life but also his philandering bon vivant lifestyle and his fall from grace. Known by the public as Little Noushcka and Little Nicolas since they were children, these inseparable siblings have never been allowed to be ordinary.

On the eve of their 20th birthday, the twins’ self-destructive shenanigans catch up with them when Noushcka agrees to be beauty queen in the local Saint Jean Baptiste Day parade. The media spotlight returns, and the attention of a relentless journalist exposes the cracks in the family’s relationships. Noushcka tries to escape by marrying an eccentric and troubled boy named Raphael, although Nicolas and Loulou are reluctant to let her leave their mad fold. Raphael takes her away, but for better or worse, Noushcka is a Tremblay—and when tragedy strikes, home is the only place she wants to be.

With all the wit and poignancy that made Baby such a beloved character and Lullabies for Little Criminals an international bestseller, O’Neill writes of an unusual family and what binds them together and tears them apart. She lovingly portrays the seedy, beautiful side of Montreal and of French Canadian life. The Girl Who Was Saturday Night is classic, unforgettable Heather O’Neill.

About the author

HEATHER O’NEILL is a novelist, short-story writer and essayist. Her most recent novel, When We Lost Our Heads was a #1 national bestseller and was a finalist for the Grand Prix du Livre de Montréal. Her previous works include The Lonely Hearts Hotel, which won the Paragraphe Hugh MacLennan Prize for Fiction and was longlisted for the Women’s Prize for Fiction and CBC’s Canada Reads, as well as Lullabies for Little Criminals, The Girl Who Was Saturday Night and Daydreams Of Angels, which were shortlisted for the Governor General’s Literary Award for Fiction, the Orange Prize for Fiction and the Scotiabank Giller Prize two years in a row. She has won CBC’s Canada Reads and the Danuta Gleed Award. Born and raised in Montreal, O’Neill lives there today.

Heather O'Neill's profile page

Editorial Reviews

“Heather O'Neill does it again! The Girl Who Was Saturday Night is full of quaking love and true sadness, family rackets, heart attacks, feral cats of all sorts, risky trysts, and reeling abandon. O'Neill's voice is singular, brave, magical, and bursting with stark beauty.” —Lisa Moore, Giller-shortlisted author of Caught

“A marvelously intriguing novel of a family in dissolution, each member of which is richly and memorably characterized. . . . Compulsively readable, The Girl Who Was Saturday Night is a delight for any night.” —Booklist (Starred Review)

“A unique, urgent and edgy voice. Wry on the one hand, sometimes tragic on the other. . . .This is a rollicking novel about sad child stars coming of age, with a political twist.” —Now Magazine (NNNN)

“O’Neill’s unique strength as a prose stylist has always been in the strength of her individual sentences, and in The Girl Who Was Saturday Night, the way she wields an image feels less like style than superpower.” —National Post

“The novel consolidates the strengths of [Lullabies for Little Criminals] and takes it all to a new level of daring, sophistication and emotional richness. If there were any doubts at all that Heather O’Neill is a major writer with a unique voice, The Girl Who Was Saturday Night lays the question to rest. It is a tour de force.” —The Gazette (Montreal)

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