In The Forest of Bourg-Marie, originally published in 1898, Toronto author and musician S. Frances Harrison draws together a highly mythologized image of Quebec society and the forms of Gothic literature that were already familiar to her English-speaking audience. It tells the story of a fourteen-year-old French Canadian who is lured to the United States by the promise of financial reward, only to be rejected by his grandfather upon his return. In doing so, the novel offers a powerful critique of the personal and cultural consequences of emigration out of Canada.
In her afterword, Cynthia Sugars considers how The Forest of Bourg-Marie reimagines the Gothic tradition from a settler Canadian perspective, turning to a French-Canadian setting with distinctly New-World overtones. Harrison’s twist on the traditional Gothic plotline offers an inversion of such Gothic motifs as the decadent aristocrat and ancestral curse by playing on questions of illegitimacy and cultural preservation.

Cynthia Sugars is an associate professor in the Department of English at the University of Ottawa, where she teaches Canadian literature and postcolonial theory. She is the author of numerous essays on Canadian literature and has edited two collections of essays on Canadian postcolonial theory. She is co-editor, with Laura Moss, of a new anthology of Canadian literature, Canadian Literature in English: Texts and Contexts (2008).

Gerry Turcotte is the executive dean of the College of Arts and Sciences, University of Notre Dame, Sydney. He is the past president of the Association for Canadian Studies in Australia and New Zealand (ACSANZ), past secretary of the International Council for Canadian Studies (ICCS), and founding director of the Centre for Canadian-Australian Studies (CCAS). He is the author of numerous books.

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S. Frances Harrison (1859–1935) was a Toronto-based author and musician. She was the author of a book of poems, a book of sketches, and two novels, including The Forest of Bourg-Marie (1898).

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