Skip to main content Skip to search Skip to search

Nature Environmental Conservation & Protection

The Culture of Nature

North American Landscape from Disney to Exxon Valdez

by (author) Alexander Wilson

Publisher
Between the Lines
Initial publish date
Jan 2023
Category
Environmental Conservation & Protection, General, Urban
  • Paperback / softback

    ISBN
    9780921284529
    Publish Date
    Apr 1991
    List Price
    $27.95
  • Paperback / softback

    ISBN
    9781771134101
    Publish Date
    Oct 2019
    List Price
    $34.95
  • eBook

    ISBN
    9781771134118
    Publish Date
    Jan 2023
    List Price
    $33.99

Add it to your shelf

Where to buy it

Description

Since it was first published in 1991, few books have come close to capturing the depth and breadth of Alexander Wilson’s innovative ecocultural compendium The Culture of Nature. His work was one of the first of its kind to investigate the ideology of the environment, to critique the future according to Disney, and illustrate that the ways we think, teach, talk about, and construct the natural world are as important a terrain as the land itself. Extensively illustrated and meticulously researched, this edition is exquisitely revised and reissued for the Anthropocene.

About the author

The late Alexander Wilson was a horticulturalist, journalist, and partner in a landscape design firm. He taught and wrote widely on populr culture, media, and the environment.

Alexander Wilson's profile page

Editorial Reviews

This is more than an imaginative and richly detailed history of the ways North Americans construct, and are constructed by, nature. The impetus of this book is political. As such it proposes a course of action as well as reasons for anger and alarm. The Culture of Nature is intricate webs of information precisely spun, impossible to shrug off.

Adele Freedman

This is a beautiful book about ugliness, which takes the innumerable facts of the degradation of nature as so many multiple starting points for the history of the production of modern space. Wilson ranges across cognate yet extraordinarily varied topics such as nature films, theme parks, tourism, world’s fairs, shopping malls, and strip-mining and nuclear plants, not merely to trace their histories but also to map out their ideologies–for it is myth and ideology that ultimately legitimize and promote the violence done to the land. It is a remarkable performance, of the greatest theoretical as well as practical-political interest.

Fredric Jameson