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edition:eBook
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category: Fiction
published: Jan 2020
ISBN:9781770566026
publisher: Coach House Books

The Baudelaire Fractal

by Lisa Robertson

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literary, contemporary women, magical realism
0 of 5
0 ratings
rated!
rated!
list price: $12.95
edition:eBook
also available: Paperback
category: Fiction
published: Jan 2020
ISBN:9781770566026
publisher: Coach House Books
Description

The debut novel by acclaimed poet Lisa Robertson, in which a poet realizes she's written the works of Baudelaire.

One morning, Hazel Brown awakes in a badly decorated hotel room to find that she’s written the complete works of Charles Baudelaire. In her bemusement the hotel becomes every cheap room she ever stayed in during her youthful perambulations in 1980s Paris. This is the legend of a she-dandy’s life.

Part magical realism, part feminist ars poetica, part history of tailoring, part bibliophilic anthem, part love affair with nineteenth-century painting, The Baudelaire Fractal is poet and art writer Lisa Robertson’s first novel.

"Robertson, with feminist wit, a dash of kink, and a generous brain, has written an urtext that tenders there can be, in fact, or in fiction, no such thing. Hers is a boon for readers and writers, now and in the future."—Jennifer Krasinski, Bookforum

"It’s brilliant, strange, and unlike anything I’ve read before."—Rebecca Hussey, BOOKRIOT

About the Author

Lisa Robertson

Poet and essayist Lisa Robertson has held residencies at the California College of the Arts, Cambridge University; University of California, Berkeley; UC San Diego; and American University of Paris. Her books include Cinema of the Present, Debbie: An Epic (nominated for the Governor General's Award in Canada), The Men, The Weather, R's Boat (poetry) and Occasional Works and Seven Walks from the Office for Soft Architecture (essays). Lisa Robertson's Magenta Soul Whip (Coach House) was named one of The New York Times 100 Notable Books of 2010, and was longlisted for the 2011 Warwick Prize for Writing. She currently lives in France.
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Editorial Reviews

"Robertson, with feminist wit, a dash of kink, and a generous brain, has written an urtext that tenders there can be, in fact, or in fiction, no such thing. Hers is a boon for readers and writers, now and in the future."—Jennifer Krasinski, Bookforum


"A new Lisa Robertson book is both a public event and a private kind of bacchanal." —Los Angeles Review of Books


"And perhaps that's what Robertson, with this demanding, erudite, and quite remarkable novel, is telling us is required to return those who have been expunged from the pages of literature: time and effort."—Stephen Finucan, Quill & Quire


"It’s brilliant, strange, and unlike anything I’ve read before."—Rebecca Hussey, BOOKRIOT


"Things happen in the novel but none so much as the sentences themselves, they are the events; each sentence invites mediation, pause, excitement."—Allison Grimaldi Donahue, BOMB Magazine


"An intense if abstract portrait of the poet as a young woman in search of a kind of language that might lead to liberation."—The Kirkus Reviews


"A difficult work of ideas, by turns enlightening and arcane, part autobiographical narrative, part literary theory, Robertson’s debut novel, for those interested in possibilities of fiction, is not to be missed."—Publisher's Weekly


"As far as I’m concerned, it’s already a classic." —Anne Boyer

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