Social Poesis introduces readers to the work of one of Canada’s most exciting and challenging poets. Through selections from across Rachel Zolf's poetic oeuvre, this book foregrounds the philosophical, ethical, and political questions that inform Zolf's poetry. Selections range from early poems in which Zolf explores transhistorical trauma and queer subjectivity to more recent writings that examine militarism, settler colonialism, and other forms of state-sanctioned violence. Zolf’s poetry enacts what she calls a “social poesis”; she is attuned to questions of ethical responsibility and the role, and limitations, of poetry as a tool for ethical thinking, political engagement, accountability, and bearing witness.
Heather Milne's introduction examines Zolf's compositional strategies, tracing the evolution of Zolf’s writing from an autobiographical poetics, in which Zolf as subject/speaker is locatable, toward a poetics that moves beyond the self to address political and ethical relations among subjects of geopolitics and settler colonialism. In her afterword, Zolf focuses on her most recent work, in which poems are composed almost entirely from archival sources and enact a kind of collective assemblage of enunciation.
About the authors
Rachel Zolf’s writing practice explores interrelated materialist questions concerning memory, history, knowledge, subjectivity, and the conceptual limits of language and meaning. She is particularly interested in how ethics founders on the shoals of the political. Her books of poetry include Neighbour Procedure (2010); Human Resources (2007), which won the Trillium Book Award for Poetry and was shortlisted for a Lambda Literary Award; Masque (2004), finalist for the Trillium Book Award for Poetry; and Her absence, this wanderer (1999). Among her many collaborations with other artists, she wrote the film The Light Club of Vizcaya: A Women's Picture, directed by New York artist Josiah McElheny, which premiered at Art Basel Miami 2012. She has taught at New York’s The New School University and the University of Calgary.
Heather Milne is an assistant professor in the English Department at the University of Winnipeg. Her essays on women's writing have appeared in journals such as Canadian Poetry, Canadian Literature, a/b: Auto/biography Studies and Open Letter. She is currently working on a book-length study of 21st-century innovative North American feminist poetics.
I’ve long been fascinated by Zolf’s project-based work, something that has become more overt as she continues to publish, utilized to examine human interaction, and a variety of social and cultural histories. Zolf might utilize external means to produce work, but her concerns are deeply human, from the intimate to the professional to the historical, and the dark elements that so often are deliberately set aside. ... This book exists as both an impressive overview of Zolf’s ongoing work, and a wonderful introduction to what she’s accomplished so far, much of which, I would argue, hasn’t received the attention it so clearly deserves.