Iranian-born Gita Hashemi is an award-winning artist, curator and writer, a refugee, a displanted settler who works from T’karonto, the “Dish With One Spoon Territory,” the homelands of the Anishinaabeg, Haudenosaunee, and Huron-Wendat nations, most recently the territory of the Mississaugas of Credit. She lives near Wonscotonach (burning bright point) river, on unceded land that is subject to the 2015 Rouge River Tract Claim by the Mississauga First Nation. Her home in Shiraz was near Khoshk (dry) river.

Gita Hashemi's profile page

rumi roaming masterfully shines a light on the complex and contradictory legacies of Rumi both past and present, and inevitably, the future. Artists, scholars, and activists bring themselves to the figure of Rumi and grapple with the various dimensions of Rumi's life, social context, and literary outputs, especially as it has interjected their lives, such as his poetry that evoked love and longing, sexist, and patriarchal stories, and calls for revolution. The essays, poems, and art in these pages are multi-dimensional, multi-linguistic, and global. They challenge easy ideas of translation and transmission. Though Rumi remains a popular spiritual icon today, this volume and its contributors showcase that this popularity should not be taken at face value but needs to be interrogated and disentangled. The contributors to the volume and Hashemi have done a great service in taking this important and difficult first step for us the readers, but as with any mystical path, including that of Rumi's, the rest depends on what we the readers do with this knowledge.

M. Shobhana Xavier, professor of religion and diaspora at Queen's University and author of The Dervishes of the North: Rumi, Whirling, and the Making of Sufism in Canada

Rumi roaming is the long-awaited work that finally addresses some of the most questionable aspects of the popular Rumi. That the popularity of Rumi’s bestselling translations in English remains unaffected by a rise in racism towards people who share his region and culture is a clear indication that the best-selling translations are failing profoundly, a failure felt most acutely by people of Persian and Central Asian origin. Sensitive to post-colonial problematics of translation and without avoiding the most challenging and potentially offensive aspects of Rumi’s oeuvre, in rumi roaming a diversity of creative thinkers bare their souls in the spirit of the poet himself to connect directly and transparently with their audience about how his poetry resonates with them in the present moment. This multi-media volume is far more sophisticated and nuanced in its vision of Rumi than criticisms that have focused simply on the stripping of Islamic references in popular translations. Rumi roaming provides a much richer and more creative re-reading of Rumi than has been previously available.

Jawid Mojaddedi, professor of religion at Rutgers University and translator of The Masnavi for Oxford World's Classics

An encounter with Rumi is akin to chasing an elusive melody; one is perpetually left yearning for more. Yet, within the pages of rumi roaming, we are graced with a masterful intervention that confronts the crises of our modern age — a crisis rooted in language and its intricate dance of translation. Seamlessly weaving modern renditions of Rumi's ghazals with a tapestry of contemporary creative nonfiction, melodious poetry, scholarly musings, immersive photo essays, and haunting videos, this collection addresses a void I've perennially sensed in my engagements with Rumi's diverse oeuvre, from poetic verses to visual tapestries. The Algorithmic encounter that concludes this journey offers a wry nod, a poignant irony, underscoring the pressing relevance and urgency of such a groundbreaking endeavour.

Zainub Verjee, artist, critic and scholar, Governor General's Award recipient and Member of the Order of Canada