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Literary Criticism Canadian

Rapt in Plaid

Canadian Literature and Scottish Tradition

by (author) Elizabeth Waterston

Publisher
University of Toronto Press
Initial publish date
Nov 2003
Category
Canadian, General
  • eBook

    ISBN
    9781442678996
    Publish Date
    Nov 2003
    List Price
    $71.00

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Description

"Rapt in Plaid" combines reflection, criticism and memoir to illustrate a curious and long-lasting connection between Scottish and Canadian literary traditions. Examples drawn from genres including lyric poetry, narrative romance, war fiction, children's literature, sentimental fiction, thrillers, domestic novels and short stories link Canadian writers such as John Richardson, Isabella Valancy Crawford, Sinclair Ross, Hugh MacLennan, Margaret Laurence and W.O. Mitchell to Scottish writers such as Robert Burns, Walter Scott, Thomas Carlyle, J.M. Barrie, Robert Louis Stevenson John Buchan and George Mackay Brown.

A line is traced in each chapter from directly imitative nineteenth-century Canadian writers to modern Canadian works where Scottish tradition persists, sometimes transformed and sometimes distorted. Lively biographical sketches and close analysis of particular passages by Scottish and Canadian writers are set in the context of multi-cultural, narrative, postmodern and postcolonial theories. This study illuminates the way Scottish ideas and values still wield surprising power in Canadian politics, education, theology, economics and social mores.

Although Professor Waterston's method is that of a literary historian, she frames each section in this new work with affectionate memories of reading, researching, and teaching Scottish and Canadian literature over a sixty year period.

About the author

Elizabeth Waterston is Professor Emeritus, University of Guelph. She is a lifetime member of the Association of Canadian Studies and a former National President of the Humanities Association of Canada.

Elizabeth Waterston's profile page

Editorial Reviews

'Rapt in Plaid is as delightful as it is informative. You don't have to be predisposed to Scottish influences to enjoy this valuable addition to Canadian literary scholarship.'

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