Public Poetics is a collection of essays and poems that address some of the most pressing issues of the discipline in the twenty-first century. The collection brings together fifteen original essays addressing “publics,” “poetry,” and “poetics” from the situated space of Canada while simultaneously troubling the notion of the nation as a stable term. It asks hard questions about who and what count as “publics” in Canada. Critical essays stand alongside poetry as visual and editorial reminders of the cross-pollination required in thinking through both poetry and poetics.
Public Poetics is divided into three thematic sections. The first contains essays surveying poetics in the present moment through the lens of the public/private divide, systematic racism in Canada, the counterpublic, feminist poetics, and Canadian innovations on postmodern poetics. The second section contains author-specific studies of public poets. The final section contains essays that use innovative renderings of “poetics” as a means of articulating alternative communities and practices. Each section is paired with a collection of original poetry by ten contemporary Canadian poets.
This collection attends to the changing landscape of critical discourse around poetry and poetics in Canada, and will be of use to teachers and students of poetry and poetics.
About the authors
Bart Vautour is Assistant Professor of English at Dalhousie University. He is a scholar of Canadian literature, with a particular interest in the interplay between the history of transnational Canadian cultural production and its contemporary publics. He is co-editor, with Erin Wunker, Travis V. Mason, and Christl Verduyn, of Public Poetics: Critical Issues in Canadian Poetry and Poetics. His is currently completing a monograph project, The Deed Becomes the Word: Canadian Media and Writing on the Spanish Civil War.
Erin Wunker is Chair of the Board of the national non-profit organization Canadian Women in the Literary Arts (www.cwila.com) and co-founder, writer, and managing editor of the feminist academic blog Hook & Eye: Fast Feminism, Slow Academe. She teaches courses in Canadian literature and cultural production with a special focus on cultural production by women. She lives in Halifax with her partner, their daughter, and Marley the dog. Notes from a Feminist Killjoy: Essays on Everyday Life, forthcoming from BookThug in the fall of 2016, is Wunker's first book.
Travis V. Mason teaches English and Canadian studies at Dalhousie and Mount St. Vincent Universities. After completing his Ph.D. at the University of British Columbia, he studied ecopoetry in South Africa as a Mellon Postdoctoral Fellow before moving to Halifax to study Canadian literary responses to science with a Killam Postdoctoral Fellowship. His articles have appeared in books and journals, including Canadian Literature, Studies in Canadian Literature, The Dalhousie Review, Kunapipi, and Mosaic.
Christl Verduyn is a professor of English and Canadian Studies at Mount Allison University, where she holds the Davidson Chair in Canadian Studies and is the director of the Centre for Canadian Studies. Publications include Asian Canadian Writing Beyond Autoethnography, co-edited with Eleanor Ty (WLU Press, 2008), Archival Narratives for Canada: Re-Telling Stories in a Changing Landscape, co-edited with Kathleen Garay (2011), and Canadian Studies: Past, Present, Praxis, co-edited with Jane Koustas (2012).
Other titles by Bart Vautour
Other titles by Erin Wunker
Other titles by Travis V. Mason
Other titles by Christl Verduyn
The Creative City of Saint John
Beyond "Understanding Canada"
Transnational Perspectives on Canadian Literature
Indigeneity, Diaspora, and Ecology in Canadian Literary Studies
Marian and the Major
Engel's "Elizabeth and the Golden City"
Asian Canadian Writing Beyond Autoethnography
Marian Engel’s Notebooks
“Ah, mon cahier, écoute...”
Edna Staebler’s Diaries
Life in Letters