What are sports, really? What do we love about them? And what, in our digital age, have they become?

As a child, David Macfarlane was an avid sports fan—and yet he almost never saw an athletic competition live. Despite the dusty collection of sports equipment in the basement, his parents had little interest in playing or watching sports, televised games were subject to local blackouts, and poor analog reception made hockey pucks disappear in electric snow. Instead, Macfarlane pored daily over the sports pages and brought box scores to school for Current Events, traded the rumours and predictions of sportswriters with his friends, collected trading cards and played sandlot versions of baseball, football and street hockey. Each of these endeavours took place primarily on the boundless fields of the imagination, the thing professional sport, Macfarlane argues, today sorely lacks—so much so that now he’ll as soon profess to loathe sports as to love them.

In On Sports, the latest in the Field Notes series, journalist David Macfarlane considers the origins of his love of sport against his discomfort with their commodification. From the pirates, gangsters, and extortionist hooligans of the International Olympic Committee, to the National Hockey League’s capitulation to online gambling, to the ballooning of salaries and dumbed-down spectacle that characterize professional competition, to his enduring affection for athletic competition and the athletes who continue to dazzle in spite of it all, Macfarlane asks what sports really are, what it is that we love about them, and what, exactly, they have become.

David Macfarlane is the author of the acclaimed family memoir of Newfoundland, The Danger Tree, which won the Canadian Authors Association Award for Non-Fiction in 1992. He began his career as a writer and editor with Weekend Magazine and has since been published in Saturday Night, Maclean's, Toronto Life, and Books in Canada. He is the recipient of eleven National Magazine Awards, the Sovereign Award for Magazine Journalism, an Author's Award for Magazine Writing, and a recent national newspaper award for his weekly column in The Globe and Mail. He has written and produced a documentary and won a Gemini for his television work. In 1999, Summer Gone was nominated for the Giller Prize and in 2000 it was the co-winner of the Chapters/Books in Canada First Novel Award.

David Macfarlane's profile page

Praise for Likeness

"David Macfarlane's haunting new memoir Likeness . . . is a book of considerable joy, and of staggering loss, one which avoids easy sentimentality in favour of genuine—and crushing—emotion."
—Toronto Star

"A gifted and admired writer across genres . . .There is an ache in Likeness that cuts as deeply as it does because of the beauty of its expression."
—Maclean's

Praise for The Danger Tree

"Splendid!"
—New York Times

"I've just discovered The Danger Tree and am stunned. It is so good. About the best prose to ever come out of this country, for my money."
—Alice Munro

"The Danger Tree is a masterpiece. David Macfarlane is an architect of the past, building extraordinary memory mansions in which the reader feels eerily at home."
—Alberto Manguel

"A remarkable and beautifully written book."
—Kirkus Reviews (starred review)

"One of the best non-fiction titles of the year."
—Booklist (starred review)