form a bombsight
think periosteum singing
particle falconry workpiece
two lowcut hills seeking
what stone is
Night & Oxis a long poem working its interruptions to a degree where it's broken by the will to live. A poem that invokes expansive loneliness, where the poet's emotional response is to endure. A crushed line of astral forms and anatomy in perpetual remove; it is a poem that nurtures vulnerability: some soft-footed embryo sounds against language’s viscera. Night & Ox possesses a feral minimalism for those too tired and too frantic with joy to cope with narrative.
‘A fierce, ladderlike cri de cÃ??ur – at times a cri de cur – Night & Ox pulses with sawblade nocturnes that gnaw through the very rungs on which they’re wrung. One part Jabberwocky-talkie, one part fatherhood ode, the poem seeks a threshold, where the “mondayescentï¿½* gives way to ardour, splendour, even love. Scott is a cosmoglot of the throat’s ravine, and this is his manic, pandemonic article of faith.’ – Andrew Zawacki
Praise for Blert:
‘Scott takes us down to the basement of words, where sound and rhythm rule, and poets learn their craft. Blert is a strange and gorgeous work of linguistic materialism.' – Dennis Lee
Jordan Scott is the author of Silt (2005), blert (2008) and, with Stephen Collis, Decomp (2013). Scott is the 2015/16 Writer-in-Residence at Simon Fraser University. He lives in Port Coquitlam, BC, Canada.