Description
In the summer of 2009, poets Stephen Collis and Jordan Scott traveled to five distinct ecosystems in British Columbia, leaving a single copy of Charles Darwin's On the Origin of Species to decay for a year in each remote outdoor location. A year later the texts were retrieved, photographed and documented, and worked into Decomp, an extended photoÂessay and prose poem. The poets allowed nature to make 'selections' from Darwin'stext, via decomposition. Each distinct ecosystem offered a different 'reading' of (and through) the rotting book's pages. As evolution works, in Timothy Morton's words, 'Âthrough constant rewritings of the DNA sequence,' so the poets found themselves faced with a constantly rewritten Darwin. The final text is 'made up of all kinds of viral code insertions so you can't tell which bit is original.'
Through colourful photo reproductions and prose meditations on their found texts, Collis and Scott have produced a work that moves beyond the typical dualisms of nature and writing  dualisms still active in Darwin's own book.
About the authors
New Westminster, BC native Jordan Scott is a graduate student in creative writing at the University of Calgary. He has published several chapbooks, including A Walking History of Wladyslaw's Body In Parts and Mere Mismemory. His work has also appeared in Matrix, Filling Station, and other journals. He lives in Calgary.
Stephen Collis is the author of seven books of poetry, including the Dorothy Livesay Poetry Prize–winning On the Material (Talonbooks, 2010). Other titles include Anarchive (New Star, 2005, also nominated for the Dorothy Livesay Poetry Prize), The Commons (Talonbooks, 2008, 2014), To the Barricades (Talonbooks, 2013), Decomp (co-authored with Jordan Scott, Coach House, 2013), Once in Blockadia (Talonbooks, 2016), and A History of the Theories of Rain (Talonbooks, 2021), nominated for a Governor General’s Literary Award for Poetry. An activist and social critic, his writing on the Occupy movement is collected in Dispatches from the Occupation (Talonbooks, 2012).Collis is also the author of two book-length studies, Phyllis Webb and the Common Good (Talonbooks, 2007) and Through Words of Others: Susan Howe and Anarcho-Scholasticism (ELS Editions, 2006), as well as the editor, with Graham Lyons, of Reading Duncan Reading: Robert Duncan and the Poetics of Derivation (Iowa University Press, 2012). His memoir, Almost Islands: Phyllis Webb and the Pursuit of the Unwritten, was published by Talonbooks in 2018. He teaches contemporary poetry and poetics at Simon Fraser University.Collis was the 2019 recipient of the Latner Writers’ Trust Poetry Prize, which is given to a mid-career poet in recognition of a remarkable body of work, and in anticipation of future contributions to Canadian poetry.
Other titles by
Other titles by
The Middle
A Dream in the Eye
The Complete Paintings and Collages of Phyllis Webb
A History of the Theories of Rain
Taking Measures
Selected Serial Poems
Almost Islands
Phyllis Webb and the Pursuit of the Unwritten
Once in Blockadia
The Commons
Phyllis Webb and the Common Good
Poetry/Anarchy/Abstraction
The Red Album
Dispatches from the Occupation
A History of Change