A journey in search of love through the contemporary homoerotic male body.

Improvising on a variety of poetic forms and traversing disparate landscapes - from Belfast to the clear-cuts of Vancouver Island, from the subterranean heat of Jules Verne's Iceland to the ventriloquism of the Alberta Rockies' echoing eastern slopes - John Barton documents the path of the male body in an increasingly unstable, supposedly tolerant contemporary world. Hymn stokes the fires of homoerotic romantic love with its polar extremes of intimacy and solitude.

...though he files all forethought of the unknown life now going

on without him, a life he confuses with his own, his life promiscuous
however rearranged his surfaces or clean his drawers, the unclarifying

distractions of the body portentous in his downfall, the downfall
of his own body a matter of time, but thinking of the man who left

the accidental man come between them, the man he may yet become
it is impossible for him not to sing them unwashed hymns of praise.

- from "Hymn"

"It would be easy to describe Hymn as a collection of dream recitations, of flights on magic carpets and crashes through bewitched mirrors-except for the fact that Barton is an eyes-wide-open, no-prisoners kind of guy. He misses nothing, not even when he's asleep. This is not dreamy poetry (anybody can do that) but poetry that asks us to dream in the bald daylight, shows us how to look lovingly at both the squalor and the garden paths beneath our feet." - R.M. Vaughan

John Barton has published ten previous collections of poetry and six chapbooks, including, most recently, Balletomane: The Program Notes of Lincoln Kirstein and For the Boy with the Eyes of the Virgin: Selected Poems, which were respectively published by JackPine Press and Nightwood Editions in 2012. Co-editor of Seminal: The Anthology of Canada's Gay-Male Poets, he has won three Archibald Lampman Awards, an Ottawa Book Award, a CBC Literary Award, and a National Magazine Award. Since 1980, his poems have appeared in anthologies, magazines, and newspapers across Canada and in the United States, Australia, China, India, and the U.K. Previously a writer-in-residence at the Saskatoon Public Library and at the University of New Brunswick, he has taught at the Sage Hill Writing Experience, the Banff Centre, and the University of Victoria. From 1985 to 2003, he worked as a librarian, a production manager, a publications coordinator, and an editor for five national museums in Ottawa, where he edited Vernissage: The Magazine of the National Gallery of Canada, and, in his spare time, Arc Poetry Magazine. He was the poetry editor for Signature Editions from 2005 to 2008 and has been a manuscript editor for Brick Books since 2010. He has lived in Victoria since 2004, where he edits The Malahat Review. Polari is his eleventh collection of poetry.

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