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Performing Arts History & Criticism

Fluid Screens, Expanded Cinema

edited by Janine Marchessault & Susan Lord

Publisher
University of Toronto Press
Initial publish date
Jun 2008
Category
History & Criticism
  • Paperback / softback

    ISBN
    9780802096449
    Publish Date
    Jun 2008
    List Price
    $50.00
  • Hardback

    ISBN
    9780802092977
    Publish Date
    Dec 2007
    List Price
    $51.00
  • eBook

    ISBN
    9781442691780
    Publish Date
    Jun 2008
    List Price
    $40.95

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Description

As a medium, film is constantly evolving both in form and in content. Fluid Screens, Expanded Cinema considers the shift from traditional cinema to new frontiers of interactive, performative, and networked media.

Using the theories of Marshall McLuhan and Gilles Deleuze as a starting point, renowned scholars from the fields of film theory, communication studies, cultural studies, and new media theory explore the ways in which digital technology is transforming contemporary visual culture. The essays consider a series of questions: What constitutes the "new" in new media? How are digital aesthetics different from film aesthetics? What new forms of spectatorship and storytelling, political community, and commodity production are being enabled through the digital media?

Using Gene Youngblood's 1970 book Expanded Cinema as an anchor for the volume, Fluid Screens, Expanded Cinema understands the digital not simply as a technological form, but also as an experience of space and time that is tied to capitalism. This important collection is unique in framing a range of social justice issues with aesthetic theories of new digital screen culture that will appeal to scholars and multimedia artists prepared to break new ground.

About the authors

Janine Marchessault is a professor in Cinema and Media Arts at York University and holds a York Research Chair in Media Art and Social Engagement. Her research engages with the history of large-screen media (from multiscreen to IMAX to media as architecture and VR); diverse models of public art, festivals, and site-specific curation; 21st century moving-image archives; and notions of collective memory/history.

Janine Marchessault's profile page

 

Susan Lord is Associate Professor in the Department of Film and Media at Queen’s University.

 

Susan Lord's profile page

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