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edition:Paperback
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published: Apr 2014
ISBN:9780773541863

Disunified Aesthetics

Situated Textuality, Performativity, Collaboration

by Lynette Hunter

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canadian, aesthetics
0 of 5
0 ratings
rated!
rated!
list price: $39.95
edition:Paperback
also available: eBook Hardcover
published: Apr 2014
ISBN:9780773541863
Description

Diverse Nations, Diverse Responses provides a rich overview of the historical, demographic, and political forces that shape social cohesion. It also provides a comparative analysis of the policy goals that have been pursued, the programs that have been implemented, the ways that social cohesion has been defined and measured, and the effects of such issues on immigrants, minorities, and host communities. The volume provides a cross-national conversation on approaches to social cohesion and will appeal to researchers, policy-makers, and practitioners interested in immigration, diversity management, and the factors that affect policy choice, diversity, and outcomes.

Contributor Notes

Lynette Hunter is Distinguished Professor of the History of Rhetoric and Performance at the University of California, Davis.

Editorial Reviews

?Disunified Aesthetics is quietly intelligent and brilliantly self-reflexive. There are books that document a period or a movement in late twentieth-century Canadian writing but none that offers as extensive a critical engagement with processes of reading


?Hunter is looking to challenge the form of the conventional literary critical essay, to explore a "disunified aesthetics" that incorporates performance art pieces that are available online as website materials, or incorporated as typographic and visual a


?Lynette Hunter's work is a superb example of the advantage of crossing disciplinary lines and combining creativity with critical discourse. Extremely valuable for scholars of Canadian literature, theatre and performance, critical theory (in all contexts), and women's studies, Disunified Aesthetics is a dynamic and compelling study that frequently manages to escape the confines of form.? Jane Koustas, Department of Modern Languages, Literatures, and Cultures, Brock University

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