In her debut collection, Basma Kavanagh engages the natural world and seeks to explore our relationship to it. Hers is a poetics of description which subverts scientific observation and the authoritative language of nomenclature for mythopoetic ends. In the opening section (“Moisture”), precipitation is dissected and categorized, but ultimately the deluge of “rain making rain, /making rain” overwhelms controlled interrogation and undulating imagery saturates everything. Nomenclature reappears elsewhere in the book, attempting to anchor object poems about west-coast flora and fauna–salmon, elk, bear, bigleaf maple, bog myrtle–which otherwise drift toward the mythworld and gesture in the direction of the ethereal and the totemic. Understanding that language can be most precise when it harbours ambiguity and surprise, Kavanagh experiments with pattern poems and the layering of multiple voices in her attempt to express “a fullness /an absence /of self.” This is a book which turns over rocks and looks under them in search of truth in its soft, damp hiding places, poems which instruct us to “[d]escend. Blend /your knowing with the breath of earth”.

Basma Kavanagh is a poet, visual artist, and letterpress printer who lives and works in Nova Scotia, in Mi’kma’ki. She produces artist's books under the imprint Rabbit Square Books. She has published two collections of poetry, Distillo (Gaspereau, 2012), and Niche (Frontenac, 2015), which won the 2016 Lansdowne Prize for Poetry, and was a finalist for the 2019 NS Masterworks Arts Award. The book-length poem, Ruba’iyat for the Time of Apricots (Frontenac, 2018), was shortlisted for the 2019 J.M. Abraham Poetry award and won the Book Publishers Association of Alberta’s Robert Kroetsch Award for Poetry Book of the Year. Www.basmakavanagh.ca

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