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Fiction Literary

Celestina's House

by (author) Clarissa Trinidad Gonzalez

Publisher
Dundurn Press
Initial publish date
Sep 2024
Category
Literary, Occult & Supernatural, Magical Realism, Gothic
  • eBook

    ISBN
    9781459754027
    Publish Date
    Sep 2024
    List Price
    $11.99
  • Paperback / softback

    ISBN
    9781459754003
    Publish Date
    Sep 2024
    List Price
    $26.99

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Description

The House of the Spirits meets Mexican Gothic in a tale of love and betrayal, belonging and exile, and the supernatural forces that pervade life in the Philippines.
The secrets of the house are the secrets of the heart.

It begins with an act of betrayal that destroys the tenuous bonds of Celestina Errantes’s family. For years afterwards, Celestina longs for an escape from her unhappy home. Then an unexpected gift from her wealthy Lolo offers that chance: a long-forsaken property in Manila’s bohemian district, close to where ladies of the evening ply their trade. It is no place for a proper young woman, but this house, even with its ghosts, makes Celestina feel at home.

Celestina tears into life, losing herself in the pleasures of the night, but soon finds that the emptiness within her is not easily filled. When finally a true chance at happiness promises to save her, a sinister voice from the past returns, threatening to destroy it all.

A RARE MACHINES BOOK

About the author

Clarissa Trinidad Gonzalez was born in the Philippines, rather aptly on Hallowe'en, and grew up in a world animated by spirits and even the occasional miracle. Celestina's House is her debut novel. She works as a communications professional, and cocoons in her west end Toronto home with her spouse and daughter in between bouts of wanderlust.

Clarissa Trinidad Gonzalez's profile page

Excerpt: Celestina's House (by (author) Clarissa Trinidad Gonzalez)

1

Malas, Swerte, Mana

Celestina was barely five years old when she got her first lesson on the concept of malas. She was not allowed to have a pet since dogs and cats made the house smell and shed hair all over the furniture. Her father did indulge her request for a “pet cactus” from an itinerant plant vendor who made the rounds in their neighbourhood. It was a Bullwinkle cactus, a comically funny figure to the child’s eye, with a body that looked like it had been flattened with a rolling pin. It had two small branches that stuck out like ears and two longer ones that suggested outstretched arms ready to hug. Unlike the other cacti in the vendor’s cart, this one had only the slightest hint of spikiness.

She named it Gumby, after the cartoon character she liked. Thereafter, it took its place on her bookshelf, beside a mermaid doll and her drawing of a creature that looked like a horse crossed with a dragon. Gumby’s residency lasted until the eagle eyes of Stella, Celestina’s mother, spotted it on the bookshelf.

“What is that?”

“That’s Gumby,” Celestina replied brightly.

“Well, Gumby is a cactus. We do not keep cacti in the house. It’s malas.”

Little Celestina had heard the word countless times before. It meant something bad, although she did not know exactly why or how. She immediately mounted a valiant defence of her pet. “Gumby is a good cactus. He only has baby spikes. He can’t hurt anyone.”

Stella sat down so she was eye to eye with little Celestina. “If you keep a cactus, you won’t find a husband. You’ll become a spinster. We don’t want that.”

“What’s a splinster?” little Celestina asked.

“A spinster,” Stella corrected, “is an older lady who never married. A matandang dalaga. They’re the ones who grow old alone.”

“Oh. Are the nuns in school spinsters?”

“No, my dear. They’re married to Christ.”

“Is Manang Rio a spinster?” the child asked as her mind turned to their very own housekeeper.

“Yes, she’s a spinster.”

“Is she going to be okay?”

“I think so. She’s lucky because she’s with us. Otherwise, who will care for her when she can no longer care for herself?”

And so, Stella removed Gumby the Cactus from the shelf and consigned it to the outer edges of the garden, where its thorns would serve as a deterrent against malas and other manner of evil. Following her, little Celestina looked at the high walls that surrounded their house, with their sharp wrought-iron spikes styled as fleurs-de-lys. She had serious doubts that Gumby’s baby thorns were up to the lofty job Stella had foisted upon it.

After a week on guard duty, Gumby the Cactus fell prey to a hungry monitor lizard. The

bayawak, according to Manang Rio, was the size of a guitar. It devoured the cactus in one gulp before disappearing into one of the storm drains. Little Celestina, mercifully, did not witness Gumby’s grisly end, although she did see the pot bearing the cactus stump, which was still juicy. Henceforth, the giant lizard would make appearances in nightmares whenever she was troubled.

That was Celestina’s first lesson in malas, and it would not be her last. Over the years, she learned that cracked mirrors, chipped dishes, and dead clocks were verboten in their house for they invited poverty and death. It did not stop there. By Stella’s decree, the toilet lid must never, ever, be left up. To do so would be to flush your money down the sewer. Her husband regarded her beliefs with exasperation and often “forgot” to put the toilet lid down. They had no shortage of issues to fight about, but this gesture of civil disobedience was always a dependable middle finger to Stella’s house rules.

There was another more benevolent but no less demanding force Stella often tried to summon: swerte. It was credited for the rise of Sebastien Sytanco, Stella’s father and the patriarch of the clan. Every aspiring entrepreneur in the country had heard about his story — the young man who went from managing a dusty shoe store to owning luxury shopping centres in every major city on the archipelago. Swerte was embodied in the logo emblazoned on his establishments, his initials styled as upward-moving dragons forming the ultra-auspicious number eight.

We need to attract swerte, Celestina often heard. Swerte, she would learn, were things or actions that invited wealth, abundance, happiness, and long life. It was the reason the Sytanco family wore life-affirming red during weddings and birthdays. And it was why her grandfather kept aquariums with arowana fish, their scales round and shiny as gold coins. Swerte’s domain stretched from the noble to the absurd, judging from her mother’s laughing Buddha with conspicuous man breasts.

The byzantine logic fascinated and amused Celestina to no end. She had not realized it then, but her mother’s belief system was a masterwork of syncretism — Chinese feng shui with a Filipino Spanish vocabulary and a touch of indigenous animism thrown in. At their core, the Sytanco family members were still Chinese — even with their Hispanized names and Catholicism, their fluency in the local dialects, and their philanthropy in local causes. Their identity bound them and gave them strength. But it also assured they would remain the Intsik even after generations in the former Asian colony of the Spanish empire.

Editorial Reviews

Transporting us to a Manila of dark romance and ghosts, Celestina's House is a gothic novel that reminds us how the past is never wholly escapable. Rich and sweeping and literally haunting.

Andrew Pyper, author of The Residence and The Demonologist

Celestina’s House is steeped in ghosts and memories that haunt three generations of a family. Celestina fearlessly confronts her own demons, and mala, along with devastating family secrets. This is a skilfully written and searingly honest story that you will not forget.

Kim Echlin, author of Speak, Silence

A finely wrought and richly textured intergenerational saga that weaves a family’s history and stories into a deeply felt meditation on love, grief, and loss. Celestina’s House is a rare, beautiful, and moving narrative of a young woman’s search for love, truth and self amid obstacles, trials and impossible odds. A ravishing and astonishing debut.

Patria Rivera, author of Puti/White

An ornately detailed, decadent, and erotic world inhabited by a fascinating array of characters, both despicable and heroic, a world that needs to be visited and savoured.

Aga Maksimowska, author of Giant