Camera Atomica
- Publisher
- Art Gallery of Ontario
- Initial publish date
- Jul 2015
- Category
- Historical, Group Shows, Nuclear Warfare
-
Paperback / softback
- ISBN
- 9781908966483
- Publish Date
- Jul 2015
- List Price
- $34.95
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Description
Photographs have played a crucial role in shaping perceptions of nuclear weapons and nuclear energy. In Camera Atomica, art historian John O’Brian explores the intimate relationship between photography and nuclear events to uncover how the camera lens has shaped public perceptions of the atomic age and its anxieties.
Bringing together both vintage and contemporary photographs that have recorded and, in certain instances, provided motivation for the production of nuclear events, O’Brian travels through history — from the bombings of Hiroshima and Nagasaki in 1945 to the triple meltdown at Fukushima Daiichi in 2011.
In this vivid volume, readers will encounter more than 200 images that simultaneously document and raise questions about the contradictory roles of photography during this period. Included are Hiromitso Toyosaki and Shomei Tomatsu’s photographs of hibakusha (individuals exposed to radiation from atomic bombs), David McMillan’s photographs at Chernobyl Nuclear Power Plant, and Sandy Skoglund’s darkly humorous Radioactive Cats, along with photographs by Nancy Burson, Edward Burtynsky, Carol Condé and Karl Beveridge, Kenji Higuchi, Richard Misrach, Weegee, and many others.
About the author
John O'Brian teraches Art History at the University of British Columbia. He is author of David Milne and the Modern Tradition of Painting: The Flat Side of the Landscape and Degas to Matisse: The Maurice Wetheim Collection, and editor of Clement Greenberg: The Collected Essays and Criticism.
Other titles by
The Bomb in the Wilderness
Photography and the Nuclear Era in Canada
Through Post-Atomic Eyes
Atomic Road
Beyond Wilderness
The Group of Seven, Canadian Identity, and Contemporary Art
Morrice and Lyman In the Company of Matisse
All Amazed
For Roy Kiyooka
Voices of Fire
Art, Rage, Power, and the State