Dashiell Hammett’s Red Harvest and Mark Haddon’s The Curious Incident of the Dog in the Night-Time meet The Big Lebowski in this literary mystery that asks us to examine what stories, real or fiction, become the metaphors we use for working through our own challenges and uncertainties.

Twentysomething Austin lives alone in a crumbling office-turned-studio apartment of a former mops, brushes and brooms factory in Toronto. After a deformed and lice-ridden cat turns up at his door, then abruptly dies three weeks later, Austin begins to find frightening coincidences connecting him to a squatter living in his local Walmart, a botanical garden in Missouri, a shipping route from Greece, a muralist in Japan, the world of an online dystopia and more. As the obsession with piecing together the mystery surrounding his dead pet, and the reward the cat is potentially worth, takes over, Austin confronts his financial and family issues, his self-imposed isolation and his abandoned sense of direction, and discovers what purpose this mystery might actually serve in helping him cope with, and potentially recover, all that he’s really lost.

In the end, RIP Scoot is as much a story about an anomalous dead cat as it is a rich, conscientious depiction of grief, complicated relationships and the choices that occur when fighting change is no longer an option.

Sara Flemington’s stories have appeared in several journals, including subTerrain, The Humber Literary Review, and The Feathertale Review. She is a graduate of the University of Guelph Creative Writing MFA program. Egg Island is her first novel. Sara lives in Toronto.

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