The Bare Bones of Our Alphabet is a collection of poetry that reveals an all-consuming yearning: the desire to find a language that can tell the most about our existence. What the poet asks for, works obsessively to tap into, is a native tongue, a vernacular that bypasses the traps of a supposed rationality and objectivity forged in a body-politic consumed by self-interests that reduce our ontological experience. The Bare Bones of Our Alphabet calls for an activation of our primary ways of seeing that perceive spontaneously, without deliberation, which have been subdued by the material beneficiaries of our world and deemed non-intelligent. The poems invite us to re-enter our truly bare bones--our empty, sparkling space--before the codified verb, with its imposed grammar, placed us in a consented incarceration. The poet endeavours to uncover the bare alphabets we must return to--the redeeming letters--where the possibility of rebirth resides, for all and everything that has been annihilated by an unethical rhetoric, a verbosity of lies, engendered through undemocratic paradigms crafted by humans.

Irene Marques is a bilingual writer (English and Portuguese) and Lecturer at Ryerson University in the English Department, where she teaches literature and creative writing. She holds a PhD in Comparative Literature, a Masters in French Literature and Comparative Literature and a BA (Hon.) in French Language and Literature all from the University of Toronto?and a Bachelor of Social Work from Ryerson University. Her literary publications include the poetry collections Wearing Glasses of Water (2007), The Perfect Unravelling of the Spirit (2012), and The Circular Incantation: An Exercise in Loss and Findings (2013); the Portuguese language short-story collection Habitando na Metáfora do Tempo: Crónicas Desejadas (2009) and the novel My House is a Mansion (2015). Her academic publications include, among others, the manuscript Transnational Discourses on Class, Gender and Cultural Identity, and numerous articles in international journals or scholarly collectives, including African Identities: Journal of Economics, Culture and Society; Research in African Literatures; A Companion to Mia Couto; Letras & Letras; InterDISCIPLINARY: Journal of Portuguese Diaspora Studies; African Studies; and Portuguese Studies Review. Her Portuguese-language novel, Uma Casa no Mundo, won the 2019 Imprensa Nacional/Ferreira de Castro Prize and is now published by Imprensa Nacional Casa da Moeda. She lives in Toronto. www.irenemarques.net

Irene Marques' profile page