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Architecture Modern (late 19th Century To 1945)

Graph Vision

Digital Architecture’s Skeletons

by (author) Theodora Vardouli

Publisher
MIT Press
Initial publish date
Nov 2024
Category
Modern (late 19th Century to 1945), History, Applied
  • Hardback

    ISBN
    9780262049016
    Publish Date
    Nov 2024
    List Price
    $79.00

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Description

How a protean mathematical object, the graph, ushered in new images, tools, and infrastructures for design and catalyzed a digital future for architecture.

In Graph Vision, Theodora Vardouli offers a fresh history of architecture’s early entanglements with modern mathematics and digital computing by focusing on a hidden protagonist: the graph. Fueled by iconoclastic sentiments and skepticism of geometric depiction, architects, she explains, turned to the skeletal underpinnings of their work, and with it the graph, as a site of representation, operation, and political possibility. Taking the reader on an enthralling journey through a polyvalent mathematical entity, Vardouli combines close readings of graphs’ architectural manifestations as images, tools, and infrastructures for design with original archival work on research centers that spearheaded mathematical and computational approaches to architecture.

Structured thematically, Graph Vision weaves together archival findings on influential research groups such as the Land Use Built Form Studies Center at the University of Cambridge, the Center for Environmental Structure at Berkeley, the Architecture Machine Group at the Massachusetts Institute of Technology, among others, as well as important figures who led, or worked in proximity to, these groups, including Lionel March, Christopher Alexander, and Yona Friedman. Together, this material chronicles the emergence of both a new way of seeing and a new prospect for the discipline that prefigured its digital future—of a “graph vision.” Vardouli argues that this vision was one of vacillation toward visual appearance. Digital approaches to architecture, she ultimately reveals, were founded on a profound ambivalence toward the visual realm endemic to mid-twentieth century architectural and mathematical modernisms.

About the author

Contributor Notes

Theodora Vardouli is Associate Professor at the Peter Guo-hua Fu School of Architecture at McGill University. She is coauthor and coeditor of Designing the Computational Image, Imagining Computational Design and coeditor of Computer Architectures: Constructing the Common Ground.