Desperada
- Publisher
- Random House of Canada
- Initial publish date
- Apr 2023
- Category
- Contemporary Women, Family Life, Literary
-
Hardback
- ISBN
- 9781039003392
- Publish Date
- Apr 2023
- List Price
- $32.95
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Description
In Sofia Mostaghimi’s sensational debut novel, a young Iranian-Canadian woman quits her job after her younger sister dies, and then flees her family, seeking escape and possibly transformation in travel, sex and drugs.
desperada (feminine desperado) in dire need of something; being filled with, or in a state of despair; hopeless; without regard to danger or safety; reckless; furious
Kora can't make it through the funeral for her little sister, Kimia, the bright star of her Iranian-Canadian family. She also can't go on with her life as if nothing has happened. Shocking her family and friends, she quits her job and books a one-way flight away from home, seeking experiences that will obliterate her sadness. Or maybe help her become more like Kimia, who was always able to act on her own desires and keep other people's expectations at bay.
Kora lands first in Iceland, chasing an old flame, trying to lose herself in "love." When that doesn't work out, she takes off again, for Paris, then Barcelona, Berlin, Istanbul and finally the party beaches of Thailand, drowning her grief and fear in alcohol, drugs, and sex. Her sexual encounters are always reckless, and sometimes dangerous. But almost despite herself, Kora begins to build an understanding of how to go on living after someone you love has died. By blowing up all the conventions that kept her ignorant of herself and her desires, she finds a path to healing.
Desperada is a provocative high-wire act of self-obliteration and self-discovery, thrilling, urgent and compulsively readable.
About the author
Contributor Notes
SOFIA MOSTAGHIMI is a Toronto-based fiction writer. Her work has appeared in Joyland Magazine, The Fiddlehead, and The Puritan, among others, and has been longlisted for the Journey Prize and the Toronto Book Awards. Desperada is her first novel.
Excerpt: Desperada (by (author) Sofia Mostaghimi)
Instead of a cold snap that May, we got incredible heat. All I had was a shitty fan that wobbled on its stand. On the fifth day of the heat wave, I sat on my bed with the fan pointed towards my face, listening to my roommate’s boyfriend struggle to install a window air conditioner she’d bought on Kijiji. It was the evening, but the days are longer in May, and the sun was only just setting. Thunder crackled in the distance.
Maybe it would finally rain and deliver us from this heat and humidity that I hated. I couldn’t stand it.
I was restless. A dark mass had been looming above me these past few months, casting a long shadow. It was here now, circling my bed, and the harder I tried to ignore it, the more its terrifying wingspan elongated. A vulture. It caught the breeze off the fan, and glided. I shut my eyes. Suddenly, there was the sound of cold air whirring and exclamations of joy, of “Oh my God, you did it, you’re the best!” Then lightning flashed. Thunder, closer, boomed, at last followed by a torrential downpour.
I cracked my window open and lay back on my bed. And this moment might have been perfect, might have been my first moment of release since Kimia died, except that my roommate’s boyfriend started up with “Wonderwall” again. “And after all . . .” Water pummelled my window, and once again I couldn’t breathe. That cocky, raspy voice. How could she stand it once, let alone over and over and over again? I grabbed my phone and started scrolling, clicking messages of condolence like lifelines to pull me out of where I was heading. Pictures, random posts, and comments weren’t enough. I scanned the DMs I hadn’t yet read. So many of them were the same mundane words of encouragement. I was looking for hot, burning oxygen to wake me from this nightmare.
I clicked on the very last picture posted to my Instagram two months ago. A photo of me in a green and white polka-dot bikini, watching the sun set over the large, crashing waves of the Pacific. My hair was a wind-battered mess. My lips were chapped. It was Kimia who’d taken it and sneakily posted it to my account. We’d been drinking at dinner and afterwards, Kimia had forced me to join her for a walk on the beach on her last night alive. The kind of gift I couldn’t bear to look at.
Underneath my photo, the message read, This reminds me of the sunsets we have here in Iceland. Hope you are well.
Mexico was hot all year round, and Iceland was typically cold. In one, you saw sunrises and sunsets at relatively fixed times; in the other, you had endless days or endless nights. But the person who sent the message clearly didn’t know I was standing by the ocean in Mexico. He had no idea that Kimia was dead, and I felt relief at his ignorance.
His name was Gunter, the first and only man I’d ever had a one-night stand with. I’d been out with Kimia when we’d met, and she was the one who’d insisted that I go home with him.
“But what if he’s a creep? What if he tries to rape me?”
“Can you rape the willing?” she’d said, laughing. We were drunk, standing outside a nightclub on King Street West, wearing very little clothing and lots of makeup. “Okay. Okay. My bad. That’s insensitive. But, like, honestly, Kora, strangers are just people like you and me.”
And so I’d gone home with a strange, well-dressed man to his skyrise condo in Liberty Village, even though I’d slept with only two other people before him: an annoyingly self-deprecating friend from high school who, in a fit of despair three days before graduation, I’d given my virginity to, and later, in law school, a fast-talking, Ralph Lauren polo–wearing classmate whose stupid, ironic smile I’d mistaken for affection.
But after Gunter and I had sex, we’d viewed the sunrise from his balcony and fallen asleep on his couch watching Sherlock Holmes on his flat-screen TV. I kept thinking how crazy it was that I was there. How people went out all the time and hooked up like this with total strangers. And it turned out to be about more than the sex. We’d talked about our families, our hopes and dreams. We’d laughed. If he hadn’t said that he was moving back to London at the end of the month, I’d probably have seen him again.
Since him, I’d only had sex once, with a shy friend of my roommate’s, during which, mid-deed, I’d fallen off the bed and knocked my head against the floor.
I clicked on Gunter’s name and found a photo of him now: blue-eyed, wearing a navy tuque. He had freckles on his nose, brown hair and a reddish beard, a dopey, far-reaching smile that echoed in his eyes. His teeth were brilliantly white.
I opened a direct message.
I’ve never been to Iceland. It’s supposed to be really beautiful there, I replied.
“Wonderwall” stopped.
A bubble with three dots appeared under his name. He was typing.
Holy hell she’s alive!
Editorial Reviews
“Kora has a hole in her heart the size of her recently deceased sister. And there is nothing—not a lover, a bottle of wine or an exotic destination—that can fill it to her satisfaction. But her loss is our gain in this brave debut novel by Mostaghimi, whose words feel simultaneously like a bag of knives and a box of bandages. Desperada is the messy sibling to every ‘privileged-woman-travelling-the-world-finding-herself’ book out there, and thank god for that.” —Catherine Hernandez, award-winning writer of Scarborough, the novel and film
“After a devastating tragedy, a young woman embarks on an ill-advised trip around the world. In Sofia Mostaghimi’s Desperada, the familiar tale is re-imagined through the perspective of an unconventional heroine. Prickly and self-destructive, Kora courts danger at every turn and seeks oblivion, instead of redemption, on her journey. It makes for tense, heart-in-throat reading. Unsentimental and penned with unerring precision, this is a raw and raunchy debut from a remarkable new voice. Desperada is the anti-grand tour narrative I waited my whole life to read.” —Sharon Bala, author of The Boat People
“A supernova of a novel. Wrenching, gorgeous, funny, wise and brutal, Desperada is the tangled, searching heart of its heroine, Kora. Undone by her sister’s death, Kora hits the road, diving headlong into the pained body’s darkest urges—stylishly, hilariously, agonizingly dancing the knife-edge of self-atonement and self-obliteration. In her leopard print coat, Kora would make Henry Miller blush. Both a wild and glimmering page-turner and an exquisite travelogue of grief, I loved Mostaghimi’s fearless and magnetic debut.” —Claudia Dey, author of Heartbreaker and Stunt