Winner, Spur Award for Best Western Traditional Novel and Robert Kroetsch City of Edmonton Book Prize
Longlisted, Leacock Medal for Humour

Francis Blackstone is a fourteen-year-old gunslinger with a heart of gold.

He’s fallen for the governor's daughter and resolves to make his mark, and his fortune, to win her favour. And what better way than to rob a Manhattan Company bank? Enter Bob Temple, the volatile outlaw who takes Francis under his wing— though not without a degree of suspicion— and so begins the adventures of the Blackstone Temple Gang as they crisscross the west in search of treasure, redemption, and the possibility of requited love.

After an encounter with a rival gang, Francis and Bob Temple are chased over the Sierras to California, where they enjoy unexpected fame as gentleman bandits. But their newfound celebrity brings hardships as well, and when their final job takes a startling turn, Francis is forced to discover what it means to make peace with a world that stands against him.

At once a tribute to boyhood enthusiasm and the heroes of classical quests, Like Rum-Drunk Angels is an offbeat, slightly magical, entirely original retelling of Aladdin as an American western.

Tyler Enfield is a writer, photographer, and film director from Edmonton, AB. He is the author of Madder Carmine, winner of the High Plains Book Award and a finalist for the Robert Kroetsch City of Edmonton Book Award, as well as three young adult novels. His film Invisible World, produced by the NFB and co-written with Madeleine Thien, is the winner of three Alberta Screen awards, including best director.

Tyler Enfield's profile page

• Long-listed, Leacock Medal for Humour
• Winner, WWA Spur Award for Best Western Traditional Novel
• Winner, Robert Kroetsch City of Edmonton Book Prize

"A fabulist feast. ... Cormac McCarthy meets Gabriel Garcia Marquez."

<i>Winnipeg Free Press</i>

"It’s a smart and funny reimagining of a beloved-and-timeworn-but-still-bucking genre."

<i>Temz Review</i>

"Like Rum-Drunk Angels turns the historically mundane into the psychedelically evocative, and the far less mundane into something even more grandiose."

<i>Town Crier</i>

"A wildly funny, wildly entertaining western. It made me laugh. It made me cry. Buy it for the person that you bought Patrick DeWitt’s The Sisters Brothers nine years ago."

<i>CBC Day 6</i> Book Guide

"Employing traits from the playbooks of both the Coen Brothers and Walt Disney, this Western stars 14-year-old gunslinger Francis Blackstone on a journey to make his fortune and win a young lady’s heart. A buddy-novel with bandits, bank robbing and adventure a-plenty."

<i>Globe and Mail</i>

"A magical, fun novel about Francis Blackstone setting out to seek his fortune. It has all the elements of a good western, but Enfield also gives a nod to Arabian Nights, William Goldman’s Butch Cassidy and the Sundance Kid, and William Faulkner’s As I Lay Dying."

<i>Prairie Books Now</i>

"With a yarn like this, you don’t always know what you’re hearing, where it’s coming from, and certainly not what it means, but there’s little you’d rather do than sit on your horse and listen for a while."

<i>Literary Review of Canada</i>

"Beautifully cinematic, with surprising story breaks that create a long-lasting controlled suspense."

<i>Hamilton Review of Books</i>

"A truly mesmerizing work."

<i>Edify Magazine</i>

"More complex than a simple western outlaw gang horse opera. ... There is plenty of humour and the whole year-long escapade takes on a dream-like aspect as in the anything-can-happen, even the impossible — which does."

<i>Miramichi Reader</i>

"Like Rum-Drunk Angels wrings a variation on the American Western which is entirely unique — saucy, funny, warm, tender, unbridled. It’s a breakneck gallop of a book, as fine a novel as I have read in a long time."

Wayne Johnston, author of <i>First Snow, Last Light</i>

"Add Enfield’s landscape portraiture to his dry, unskippable dialogue, and you’ve got the bones of a Western. ... As the dynamite runs low, the story becomes a more solemn affair through the last quarter. ... This transition, from fun to serious, is done with such subtlety that it wasn’t until I finished that I realized how well Enfield had pulled off that shift in tone."

<i>Atlantic Books Today</i>

"A surreal, often hilarious fracturing of traditional western tropes, imbuing classic elements with a spirited post-modern awareness. ... Like Rum-Drunk Angels is a hoot, with a tender heart at its core."

<i>Quill and Quire</i>

"Tyler Enfield opens a treasure chest of familiar Western tropes, turns them upside down and inside out, and makes them dance. Funny, absurd, wildly inventive, and then — just as you’re least prepared for it — deeply moving. Magic."

Ian Weir, author of <i>The Death and Life of Strother Purcell</i>

As good a western as any of the 21st century

by Corey Redekop

I don't wish to overload this review with superlatives, so I'll be blunt; Like Rum-Drunk Angels is one fine-aged whiskey of a western. Rife with allusions as varied as One Thousand and One Nights, The Iliad, and a host of others I'm barely able to keep up with, Tyler Enfield's novel is gritty, urbane, surreal, and often hysterically funny.

If Charles Portis and Kurt Vonnegut Jr. were to team up on a project (which then went on to Patrick deWitt for notes and Richard Brautigan for a final once-over), I think Enfield's wonderful tome would be the outcome.