The Blood books center around three main characters: Vicki Nelson, a homicide cop turned private detective, her former partner Mike Celluci, who is still on the force, and vampire Henry Fitzroy, who is the illegitimate son of Henry VIII and makes his living as a writer of bodice rippers. Not only are the three of them caught in a love triangle, but they are, time and again, involved in mysteries with a supernatural slant—from demons, to werewolves, to mummies—and inevitably must join forces to solve crimes and defeat supernatural enemies.

Now all of Tanya Huff's short stories about Henry, Vicki, and Mike are being released in this collection entitled Blood Bank. As an added bonus for fans of the TV series, Blood Bank includes the actual screenplay for "Stone Cold," the episode Tanya herself wrote for the Blood Ties series along with a special introduction by Tanya, detailing her own experiences with the show.

Tanya Huff may have left Nova Scotia at three, and has lived most of her life since in Ontario, but she still considers herself a Maritimer. On the way to the idyllic rural existence she shares with her partner Fiona Patton, six cats, and a chihuahua, she acquired a degree in Radio and Television Arts from Ryerson Polytechnic—an education she was happy to finally use while writing her recent Smoke novels. Of her previous twenty-three books, the five—Blood Price, Blood Trail, Blood Lines, Blood Pact, Blood Debt—featuring Henry Fitzroy, bastard son of Henry VIII, romance writer, and vampire are among the most popular.

Tanya Huff's profile page

Praise for the series:

“An interesting departure from the many vampire books now available. It provides an entertaining and engrossing story for leisure reading.”—Kliatt

“A suspenseful story that deals with the emotional content of the situation rather than the obvious potential for overt horror.”—Science Fiction Chronicle

“Huff has retained her humor along with her horror, her characters have continued to develop, andher plots are quirky and original.”—VOYA

“Explores the borders of death and beyond with an intensity that is only partially lightened by touches of ironic humor. Written with the author’s usual flair for realistic fantasy.” —Library Journal