The hunt over; the kill complete / limping towards perfection, padding / about the room, thorns in her thumbs / Hermes crawling on all fours – / That was the last I saw of Hilda.

What is it to remember a life, to relive it, to mythologize it? Things that were said or not said haunt us for a lifetime. In Translating Air Kath MacLean imagines conversations between the modernist poet H.D. and Sigmund Freud during the poet's sessions with him in 1933 to 1934 and the dialogues that continued long afterwards in H.D.'s own mind.

Shadowed by uncertainty and memory lapses or blinded by flashes of profound truth, readers are transported to a world of myth, continuity, and human connection. H.D.'s palimpsest account of herself as girl and woman, writer and Imagist, and psychic and spiritualist is engaging and elastic as it pulls readers into a space where time is both endless and sure. Questioning her sanity and a world gone mad with war, H.D.'s personal accounts help us understand what it means to love deeply, to feel passionately, and to think beyond the limits of our individual consciousness.

MacLean demystifies and humanizes one of the most misunderstood modernist writers in this stunning collection. Translating Air takes us on a remarkable journey into the known and unknown and allows readers to experience one remarkable woman's struggle to get it right, to live life with dignity, hope, wisdom, and the courage to have no regrets.

Kath MacLean is a professor of creative writing in Edmonton, Alberta. Her first book of poetry, For a Cappuccino on Bloor, received much acclaim, winning the New Muse Award. She recently recorded Seed Bone & Hammer, a CD of performance poetry, and produced a poetry video, There Was A Young Man. MacLean was a 2009/2010 Writer in Residence for the Canadian Author’s Association. Visit her online at http://www.kathmaclean.com.

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