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Fiction Literary

The Understanding

by (author) Jane Barker Wright

Publisher
Porcupine's Quill
Initial publish date
Sep 2002
Category
Literary, Canadian
  • Paperback / softback

    ISBN
    9780889842427
    Publish Date
    Sep 2002
    List Price
    $19.95

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Description

You're invited to a party at the Whitechapels' place. You know them, of course. Isobel won't stop having babies. Solly, a cabinetmaker of international repute, won't stop sleeping around. Because they're also attractive, talented, charmingly eccentric and known for their selfless good works, the world thinks well of them.

While Isobel keeps track of their nine children, Solly makes exquisite furniture and operates a job-training program for street kids. The Whitechapels enjoy a mellow, benevolent kind of fame. Then their daughter, Magnolia, becomes pop music's latest angry darling and a harsh light is cast on lives which for years have been played out in flattering amber.

In the autopsy by media that follows, it's revealed that Isobel kidnapped Magnolia as an infant. Something ugly happened at a Gulf Island commune during the Seventies; now Isobel is about to pay a price. Fame and notoriety co-exist.

One does not attend parties at the Whitechapels', anymore.

About the author

Jane Barker Wright was born in 1953 and educated in Ontario. While at Queen`s University, she fell in love with a metallurgical engineer and so has lived in Trail, B.C., Sydney, Australia, Tumbler Ridge, B.C. and Greymouth, New Zealand. She now lives in Vancouver with her husband. They have a moderate number of children.

Her first novel, The Tasmanian Tiger, was published by Polestar Press in 1988. She has written a book column for Horticultural Magazine for many years.

Jane Barker Wright's profile page

Editorial Reviews

'The characters in Jane Barker Wright's The Understanding seem to live life as if it were one long hummed note. Biographies of great people are written from just such a premise. They trace present achievement back as far as they can to support the unifying take on that person's life. But it's surprising to see it played out against the backdrop of ubiquity, surprising and chilling.

'There's Solly Whitechapel, whose ''upbringing had occurred in a sphere that was exclusively Anglo-Saxon, [where] wealth was expected to behave itself ... as if God Himself had made a generous donation.'' But Solly does not behave himself. He has a voracious appetite for living outside the lines especially where women are concerned, seducing his mother's friends and their daughters, too. So when he meets Isobel, a pale, underdone oddity against the well-toasted summer white of the rich, he doesn't know that she'll be around the longest of any of his women.

'Teenaged Isobel comes from a poor family but has made friends with a rich girl who introduces her to Solly. Isobel knows her friend covets Solly, but when he says ''come,'' she does as if she had been waiting her whole life for that exact word from this exact man.

'Solly and Isobel drive west in his Ford Fairlane to be hippies in British Columbia. Isobel has nine children while Solly sleeps with a succession of women of all shapes and sizes, women who often become her friends after Solly is done with them. In between women, Solly plays at being an organic farmer and a maker of art furniture. He even has a piece at New York's Museum of Modern Art.

'On the outside, the Whitechapels seem to have made a success out of their hippie legacy until their daughter Magnolia, a famous singer, goes missing. Then the glare of publicity reveals the manipulative depths they have unconsciously sunk to in order to fulfill their destinies. When all is said and done, Barker Wright throws a cool eye over those who would deceive themselves into thinking that they can be anything other than their true selves.'

Globe and Mail

'The Understanding is a fast-paced and lively novel, filled with well-drawn and fascinating characters. Wright is adept at creating suspense as she slowly reveals the secrets hidden under the serene surface of her protagonists' lives.'

Canadian Book Review Annual