About the Author

Carmine Starnino

Carmine Starnino is the author of three collections of poems: The New World (which was nominated for the A. M. Klein Prize for Poetry and the Gerald Lampert Memorial Award), Credo (winner of the C A A Jack Chalmers Poetry Award), and With English Subtitles. His reviews and essays have appeared in a wide range of newspapers, magazines and literary journals, including the Globe and Mail, the Montreal Gazette, Matrix, Arc and The Montreal Review of Books. Starnino is the editor of Vehicule Press` Signal imprint, poetry editor at Canadian Notes and Queries, and editor-in-chief of Maisonneuve. Starnino lives in Montreal.

Books by this Author
Dirty Words

Dirty Words

Selected Poems 1997-2016
edition:Paperback
tagged : canadian
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Lazy Bastardism

Lazy Bastardism

Essays & Reviews on Contemporary Poetry
edition:Paperback
tagged : canadian
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New Canon, The

New Canon, The

An Anthology of Canadian Poetry
edition:Paperback
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The Essential John Glassco
Excerpt

The Burden of Junk

April again, and its message unvaried, the same old impromptu
Dinned in our ears by the tireless dispassionate chortling of Nature,
Sunlight on grey land, the grey of the past like a landscape around us
Caught in its moment of nakedness also, a pitiful prospect
Bared to the cognitive cruelty shining upon it: O season,
Season that leads me again, like this road going over the mountain,
Past the old landmarks and ruins, the holdfasts of hope and ambition--

Why is the light doubly hard on the desolate places? why even
Hardest of all on the tumbledown cabin of Corby the Trader?
See, with its tarpaper hanging in tatters, the doorstep awash in a
Puddle of cow-piss and kindling-chips, ringed with the mud of a fenceless
Yardful of rusty and broken machinery, washstands and bedsteads,
Bodies of buggies and berlots, the back seats of autos, bundles of
Chicken-wire, leaves of old wagon-springs and miscellaneous wheels.... But

There is Corby himself in the mud and the sunshine, in front of the
Lean-to cowshed, examining something that looks like a sideboard,
Bidding me stop and admire, and possibly make him an offer:
'Swapped the old three-teated cow for a genuine walnut harmonium!
Look, ain't a scratch or a brack in it anywhere--pedals and stopples
Work just as good as a fellow could ask for! Over to Broome they
Say they used to cost four hundred dollars apiece from the factory ...'

Here is the happy collector of objects, the absolute type of
All who engage in the business of buying and shifting, the man who
Turns a putative profit into an immediate pleasure,
Simply by adding a zero to his account with a self-owned
Bank of Junk, and creates a beautiful mood of achievement
Out of nothing at all! Ah here is the lord of the cipher,
This is the Man of the Springtime, the avatar of Lyaeus!

We should be trading indeed, if we could, I think as I leave him.
Mine is a burden of lumber that ought to be left with him also:
This is where it belongs, with the wheels and the beds and the organ,
With all the personal trash that the spirit acquires and abandons,
Things that have made the heart warm and bewildered the senses with beauty
Long ago--but that weakened and crumbled away with the passion
Born of their brightness, the loves that a dreary process of dumping
Leaves at last on a hillside to rot away with the seasons.

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The Essential Charles Bruce
Excerpt

Nova Scotia Fish Hut

Rain and blown sand, and southwest wind
Have rubbed these shingles crisp and paper-thin.
Come in:
Something has stripped these studding-posts and pinned
Time to the rafters. Where the woodworm ticked
Shick shick shick shick
Steady and secretive, his track is plain:
The fallen bark is dust; the beams are bare.

Bare as the bare stone of this open shore,
This building grey as stone. The filtered sun
Leaks cold and quiet through it. And the rain,
The wind, the whispering sand, return to finger
Its creaking wall, and creak its thuttering door.

Old, as the shore is. But they use the place.
Wait if you like: someone will come to find
A handline or a gutting-knife, or stow
A coiled net in the loft. Or just to smoke
And loaf; and swap tomorrow in slow talk;
And knock his pipe out on a killick-rock
Someone left lying sixty years ago.

Eastern Shore

He stands and walks as if his knees were tensed
To a pitching dory. When he looks far off
You think of trawl-kegs rolling in the trough
Of swaying waves. He wears a cap against
The sun on water, but his face is brown
As an old mainsail, from the eyebrows down.

He has grown old as something used and known
Grows old with custom; each small fading scar
Engrained by use and wear in plank and spar,
In weathered wood and iron, and flesh and bone.
But youth lurks in the squinting eyes, and in
The laughter wrinkles in the tanbark skin.

You know his story when you see him climb
The lookout hill. You know that age can be
A hill of looking; and the swaying sea
A lifetime marching with the waves of time.
Listen-the ceaseless cadence, deep and slow.
Tomorrow. Now. And years and years ago.

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