Finalist, City of Vancouver Book Award

"V6A" is the postal prefix for what is often described as "the poorest neighbourhood in Canada"--Vancouver's Downtown Eastside (DTES). Statistics about the area depict conditions related to crime, drugs, sex work, and poverty that overshadow another reality based on self determination.

The anthology V6A refracts the experience of thirty-two writers, emerging and established, who have been a part of the DTES community in some way. Their prose, poetry, and essays reappropriate the coding of the area and recast the DTES as a site of creative energy and human dignity. Cathleen With (Having Faith in the Polar Girls' Prison) writes about the area's street kids. Michael Turner (Hard Core Logo) recalls years living in an apartment on Powell Street. Madeleine Thien (Certainty) examines the effect of the Neighbourhood on her family's dynamic and its role in her development as a writer. Wayde Compton (After Canaan) writes about Hogan's Alley and the history of Vancouver's black community. Other pieces explore the sex trade and the Missing Women of the DTES, the culture of Chinatown and other ethnic communities, and the simple, human truths around poverty, kinship, forgiveness, and faith, and remind us that expression flourishes regardless of barriers.

Includes a preface by writer Gary Geddes. Partial proceeds from the sale of this book will fund Thursdays Writing Collective, a program for DTES writers directed by co-editor Elee Kraljii Gardiner.

John Mikhail Asfour is a translator, writer and editor. The editor of the landmark anthology When the Words Burn: An Anthology of Modern Arabic Poetry, he has written several poetry books.

John Mikhail Asfour's profile page

Elee Kraljii Gardiner founded and directs Thursdays Writing Collective. She is the editor and publisher of seven anthologies from the Collective and the co-editor with John Asfour of V6A: Writing from Vancouver's Downtown Eastside (Arsenal Pulp Press, 2012), which was shortlisted for the 2012 City of Vancouver Book Award. Her poetry earned the 2011 Lina Chartrand Poetry Award and was a finalist for Malahat's Far Horizons 2014 Prize and the 2015 Robert Kroetsch Award. Serpentine Loop (Anvil Press, 2016) is her first book of poetry. A frequent collaborator, she is originally from Boston.

Elee Kraljii Gardiner's profile page

• Short-listed, Vancouver Book Award

The book's strength comes from the indelible image the stories and poems leave when experienced as a whole; together, they present a neighbourhood that, despite its problems, is very much alive. -Georgia Straight

This is not your standard heavy fare. The Downtown Eastside is full of tragic stories, but somehow V6A strikes the perfect balance of sadness, nostalgia, sincerity, optimism and even humour. -Spacing Vancouver

There is not a single offering in this book that will not touch the reader. -BC Studies

If you are a Vancouverite who, like me, has more in common with what Cathleen With describes as 'those normie people ... with their Lululemon' than with the homeless park-dweller or the 'tranny' on a street corner, you should read V6A. Not just because it might move you to action, but because it contains a lot of great writing. -Event

V6A is an intimate glimpse into the lives of important writers: not those who dream of literary fame, but rather those whose need for personal expression is integral to their sense of self. This is a book that is rooted in one of the great democratic purposes of literature: to expand our understanding of the human experience. -Brad Cran, co-author of Hope in Shadows: Stories and Photographs of Vancouver's Downtown Eastside

These are strong, affective, and sometimes confrontational pieces of writing that throw open the rigid expectations of the Downtown Eastside and allow all kinds of people to express how this community might live in them. -Canadian Literature

How appropriate to locate the writing collected here as "code." This is useful not only to situate the importance of "home" as part of that nebulous dementia we carry with us all our lives, but also as a condition of the code-switching necessary to negotiate the imagination and its ambivalent syrens screaming along our street of dreams. The strength and beauty of this writing is its insistence on making that creative negotiation present. Literally singing it. Here! V6A. Write here! -Fred Wah, Poet Laureate of Canada (2011-)

This work is real, heart wrenching, sublime and necessary. These are slices of lives and memories that come from a space that resonates with sounds of loss, vision and resistance. It is a collection that speaks from the margin to the centre. It is here and it shall remain a timely documentation of a mythical place, a threatened refuge in a blanket of creativity and strength. A significant contribution to this land's narrative and account. -Rawi Hage, author of DeNiro's Game