When Gellhorn, a notable poet, begins a university residency in a “dynamic metropolis” and stays at the illustrious Máximo College, he finds himself scandalized, and for little known reason. Scrutiny by his new academic neighbours is the least of his worries, as he learns of the existence of Aaron Schnell, his physical pseudo-twin, and an actor and film “double.”
The Chair shares fragments from the oeuvre of Thomas Claque, a recently deceased author who contrived the tale of the pseudo-twins. The Chair’s scholarship leads him to the real Máximo College, where he revives those characters and scenarios, before travelling to a smaller prairie town where he reimagines one of Claque’s risqué getaways. There he meets a young woman doing her creative thesis on the double in literature.
Petra, a police clerk in an entirely different prairie city, receives a photograph of a missing person and recognizes a passenger from her weekday commute. Non-routine surveillance draws her deeper into his world until a global pandemic abruptly stalls her progress. Her romantic prospect soon leads to a greater mystery punctuated by the words, TULPA MEA CULPA, although its uncanny truth will be ultimately less provocative than serial coverage in the Prairie Pulse.
Tulpa Mea Culpa is a literary tour-de-force and solidifies Morse as one of Canada’s most exciting writers today and proves why he is a two-time Governor General Award nominee.

GARRY THOMAS MORSE has published several collections of poetry, notably Discovery Passages, about the history of his Kwakwaka’wakw Indigenous ancestors, shortlisted for the Governor General’s Award, and Prairie Harbour, also shortlisted for a Governor General’s Award. His novels have gained critical attention for pushing the aesthetic envelope. He is the author of a speculative fiction series called The Chaos! Quincunx, and two of its three books have been nominated for the ReLit Award.

Morse is the recipient of the 2008 City of Vancouver Mayor’s Arts Award for Emerging Artist. He has also served as the 2018 Jack McClelland Writer-in-Residence at the University of Toronto, and the 2019 Carol Shields Writer-in-Residence at the University of Winnipeg.

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"Incalculable, engaging, and exhilarating." —Marina Endicott