Transference, Tradition, Technology
Native New Media Exploring Visual and Digital Culture
- Publisher
- Banff Centre Press
- Initial publish date
- Nov 2006
- Category
- General, Criticism & Theory, Native American
-
Paperback / softback
- ISBN
- 9781894773096
- Publish Date
- Nov 2006
- List Price
- $25.95
Add it to your shelf
Where to buy it
Description
Transference, Tradition, Technology explores Canadian Aboriginal new media and references the work of artists within a political, cultural and aesthetic milieu. The book constructs a Native art history relating to these disciplines, one that is grounded in the philosophical and cosmological foundations of Aboriginal concepts of community and identity within the rigour of contemporary arts discourse. Approachable in nature but scholarly in content, this book is the first of its kind. A text book for students and teachers of Canadian Aboriginal history and visual and media art, and a source for writers, scholars and historians, Transference, Tradition, Technology is co-produced with the Art Gallery of Hamilton, Hamilton; and Indigenous Media Arts Group, Vancouver.
About the authors
Dana Claxton is a Canadian interdisciplinary artist of Lakota Sioux descent. Her work includes film and video, installation and performance art, and centres on concerns of beauty, justice, autonomy and spirit. She is represented in public collections, has been shown internationally, and has received numerous awards including the VIVA Award from the Doris and Jack Shadbolt Foundation for her commitment to contemporary art in Vancouver; and in 2007 became an Eiteljorg Fellow sponsored by the Ford Foundation. She has held positions as Adjunct Professor at Emily Carr Institute of Art & Design, Vancouver; Assistant Professor in the Department of Art History, Visual Art and Theory at the University of British Columbia, Vancouver; 2009/10 Ruth Wynn Woodward Endowed Chair in Women's Studies at Simon Fraser University, Burnaby; and was a founding director of the Indigenous Media Arts Group, Vancouver.
Melanie Townsend is the curator of the Walter Phillips Gallery at The Banff Centre. She has been involved in the publication of The Edge of Everything: Reflections on Curatorial Practice as well as many other publications undertaken by the Walter Phillips Gallery and The Banff Centre Press. Townsend is currently developing an exhibition of works related to robotics and the post-human.
