The first work of 'living poetry' in the world, by the author of the bestselling book Eunoia
Shortlisted for the 2016 Stephan G. Stephansson Award for Poetry (Alberta Literary Awards)
Internationally renowned poet Christian BÃ?Â¶k has encoded a poem (called ‘Orpheus’) into the genome of a germ so that, in reply, the cell builds a protein that encodesyet another poem (called ‘Eurydice’). After having illustrated this idea in E. coli, BÃ?Â¶k is planning to insert his poem into a deathless bacterium (D. radiodurans), thereby writing a text able to outlive every apocalypse, enduring till the Sun itself expires.
Book 1 of The Xenotext is an ‘infernal grimoire’ that introduces readers to the conceptual groundwork for this project. The book offers a primer in genetics, even as it revisits the pastoral heritage of poetry, updating the orphic idylls of Virgil for a new age of mythic danger – be it in the beauty of artful biogenesis, if not in the terror of global extinction.
‘The cellular “rulesï¿½* that govern this extraordinary text allow BÃ?Â¶k to create one of the most beautiful poems of our time – a poem in which the georgics of Virgil join forces with the double helix of Watson and Crick.’
– Marjorie Perloff
‘If Human reverence was slanted more toward Nature and less toward the exaltation of gods, our scriptures might have looked something like The Xenotext.’
– Peter Watts
‘Many artists seek to attain immortality through their art, but few would expect their work to outlast the human race and live on for billions of years. As Canadian poet Christian BÃ?Â¶k has realized, it all comes down to the durability of your materials.’
– The Guardian
Christian Bok is the author of Crystallography (Coach House Press, 1994), a 'pataphysical encyclopedia nominated for the Gerald Lampert Award for Best Poetic Debut, and 'Pataphysics: The Poetics of an Imaginary Science (Northwestern University Press, 2001). His book Eunoia won the 2002 Griffin Poetry Prize and is the best-selling Canadian poetry book of all time. He currently teaches at the University ofCalgary, Alberta.
Writing about The Xenotext: Book 1, Rob McClennan writes: 'It becomes fascinating how [Christian] BÃ?Â¶k has managed to construct poetry, let alone a multiple-volume project, around such an experiment, extending, exploring and capturing the connections between science and poetry dozens of times beyond what anyone has achieved up to this point, proving yet again just how far ahead he is of his peers.'
In a recent review of Christian BÃ?Â¶k's new book, The Xenotext: Book 1, The Found Poetry Review's Douglas Luman gushes:
'With a writer like BÃ?Â¶k (and it is fair to say that there are not many – if any – truly like him), the expectation is that whatever comes of the massive amounts of research and investigation will be delightfully confusing, simultaneously illustrative, and altogether new.'
And Luman is not left disappointed; he writes: 'BÃ?Â¶k provides a new way into creation, by entering into the very language and vocabulary of the canvas of life itself.'
‘Christian Bok’s The Xenotext, a poem in DNA mutation, continues his attempts to redefine what poetry even is.’