From the winner of the 2006 Marian Engel Award comes a funny, absorbing and timely novel about fear in our time.
On a spring day in 2004, Jane Z. a physician’s wife and mother of a teenage son, opens her morning newspaper and is shocked to see a familiar face on the front page. Sonia, a lost friend accused of terrorism, has just been released after twenty years in prison. It all comes flooding back to Jane, how twenty years before her life took a very different course.
At nineteen, Jane rents a room in a shared student house with a mismatched trio of idealists: Sonia, who yearns to save the world’s children from nuclear war; the Marxist-leaning Dieter; and the anarcho-feminist-pacifist Pete. A bookish misfit, her radical housemates quickly draw Jane into NAG!, a non-violent, anti-nuclear direct action group.
To Jane, who is studying Russian and Russian literature, her compatriots, with their utopian dreams and youthful pathos, soon seem Chekhovian to her.
Meanwhile, NAG! plans its most ambitious action, crossing the border into the United States to chain themselves to the Boeing factory fence. Tension increases as the group mounts each successive protest, until a bomb explodes and changes everything.
The Sky Is Falling deftly intertwines themes of first love, sexual confusion, and the dread of nuclear disaster with the comical infighting of a cast of well-meaning political activists, and the timelessness of the great Russian classics. A story for our own age of paranoia and terror, Caroline Adderson’s witty, accomplished novel returns the reader to another fearful era, when the world teetered on the brink of nuclear annihilation and the end of world seemed inevitable.
About the author
Caroline Adderson is the author of Very Serious Children (Scholastic 2007), a novel for middle readers about two brothers, the sons of clowns, who run away from the circus. I, Bruno (Orca 2007) and Bruno for Real are collections of stories for emergent readers featuring seven year-old Bruno and his true life adventures.
Caroline Adderson also writes for adults and has won two Ethel Wilson Fiction Prizes, three CBC Literary Awards, as well as the 2006 Marion Engel Award given annually to an outstanding female writer in mid-career. Her numerous nominations include the Scotiabank Giller Prize longlist, the Governor General's Literary Award, the Rogers' Trust Fiction Prize and the Commonwealth Writers' Prize. Most recently, Caroline was the Vancouver Public Library's 2008 Writer-in-Residence.
Her eight year-old son Patrick and his many friends inspire her children's writing. Caroline and her family live in Vancouver, British Columbia.
"Adderson is adept at choosing just the right words and setting the tone just so... Adderson is now added to my list of impressive Canadian authors. I will be reading her other novels."
The Lethbridge Herald
"In this funny, deeply thoughtful tale, Adderson shows how one woman manages, given enough luck, time, and Chekhov, to balance life's pleasures with its paranoia."
"Her writing isn't simply deft: Adderson is very, very funny, but her wit is wry, cleverly controlled: The Sky is Falling is entertaining and insightful...and it has the most memorable final chapter of anything I've read in years."
Globe and Mail
Vancouverite's Reagan-era novel readable, provocative
Winnipeg Free Press
“Sometimes the past, no matter how well-buried, intrudes on the present, no matter how well-ordered. In Vancouverite Caroline Adderson’s third novel, the past arrives in Jane Z.’s Vancouver home one spring morning in 2004, with a newspaper headline about the release of a 1980s’ activist….Flashbacks to 1983 and 1984 form the book’s fluttering, fear-filled heart. In clear, clean prose that makes us wonder why all writers aren’t this good, Adderson recreates the Reagan era: American cruise missiles are being tested in Canada; the Soviets have downed a South Korean passenger jet; a nerve-rattling movie (If You Love This Planet), narrated by an Australian doctor, retells the horrors of Hiroshima while predicting how much more terribly we will all die in the coming apocalypse.
…The plot moves along, present alternating with past, as the present-day Jane reconsiders the disaster that did come about, in part because she was not paying proper attention. Adderson spices the narrative with précis of Russian stories, until these kids, these students—naïve, angry, passionate, high-minded—come to resemble the characters she reads about.
…Adderson mines memory-rich student territory: the chores rota no one follows; the vegetarian meals that never quite satisfy; the endless gender issues debates; ditto the political debates; the post-smoking and love-making; the new names; the romantic longing for the 1960s…. In this funny, deeply thoughtful tale, Adderson shows how one woman manages, given enough luck, time, and Chekhov, to balance life’s pleasures with its paranoia.”
Nancy Wigston, Toronto Star
“When you think back to the school year 1983-84, what do you remember two decades later? Who were your friends? What were your obsessions? Where did they lead you? How did they shape the rest of your life -- so far? For Jane Z. and her housemates on one of the numbered streets within 15 minutes walking distance of the campus of the University of British Columbia, that year becomes the hottest spot in the Cold War in ways that put unexpected spins on their bad imaginings.
Caroline Adderson's The Sky is Falling is both a return to Jane Z.'s sophomore year of living dangerously as a member of NAG, a non-violent, anti-nuclear direct action group and Jane's later reflections on the ways the paranoia and terror of that time have marginalized the lives of those dearest to her, then and now.
If you're in the habit of reading Chekhov, Jane Z. is a narrator you want to meet, with stories you really want to read. When you open the first page of The Sky is Falling, it's 2004 and spring is right outside Jane's window, filling its frame with snow-white magnolia blossoms. and she's thinking of The Cherry Orchard and how she and her UBC housemates once read it out aloud on their front porch while they “swilled plonk.” And she thinks about “how Pascal betrayed my friend Sonia and she him in turn,” and her own part in “that bad, bad decision that we took” that has placed Sonia's picture on the front page of that morning's Vancouver Sun, alongside a story about her release from prison after serving 20 years for a terrorist attack. They had wanted to rid the world of all bombs and they had set off one of their own.
In autumn, 1983, Jane rents a room in a house she is to share with Sonia, Pascal, Pete and Dieter, and is drawn into NAG not out of idealism but because her first year at UBC was spent commuting 90 minutes and three buses each way between her aunt's house in a suburb east of Vancouver and the university. She's a scholarship winner from Edmonton who feels she's in danger of becoming her aunt, “lonely and eccentric and obsessively cheap.” At UBC, she's studying the history of the Soviet Union, learning Russian and reading “Turgenev, Dostoyevsky, Tolstoy, Chekhov, Solzhenitsyn” in the minuscule department of Slavonic studies. Jane is nowhere near as plain, boring, sad, uninteresting, dull, monotonous, pathetic and apathetic, empty, depressed, mournful or despondent as the characters in Chekhov she identifies with, but she is dissatisfied.
Jane wants to be as entertaining and insightful in person as she is in the papers she writes for Professor Kopanyev. Her housemates are less interested in helping her discover who she might actually be than in rallying her to their causes: Pete is an anarcho-feminist-pacifist philandering refugee from a Toronto Establishment family; Dieter is a Marxist from Esterhazy, Sask.; Sonia is an eating-disordered neurasthenic from 100 Mile House, B.C., who is trying to alert the world, one person at a time, to impending nuclear catastrophe; and Pascal is a runaway kid who will do anything asked of him to keep from being returned home to his parents before losing his virginity.
With Pete, Dieter and Sonia leading the way, Jane and Pascal are brought up to speed on world, campus and in-house politics: the Doomsday Clock is set at two minutes to midnight; Ronald Reagan's joint chiefs of staff are predicting nuclear war within six months; the new NFB film If You Love This Planet documents physician Helen Caldicott's research into levels of radiation in the food chain after Three Mile Island; the Squamish Five, a local terrorist group, is about to go on trial; on-campus protest groups are factionalizing; Belinda, Pete's main squeeze, has joined a radical feminist commune; and NAG embarks on harmless pranks that turn into the dirty trick that sends Sonia and Pete to prison.
Caroline Adderson is one of the few major Canadian writers equally adept at short stories (Bad Imaginings, Pleased to Meet You) and novels (A History of Forgetting, Sitting Practice). In both, her writing is swift and accurate, always getting just the right words in just the right order. She's a genius at picking out small details that reveal larger traits in the personalities of her characters as they struggle to free themselves of chronically confused and confusing, anxious and anxiety-inducing behaviour.
Her writing isn't simply deft: Adderson is very, very funny, but her wit is wry, cleverly controlled: The Sky is Falling is entertaining and insightful in just the way Jane Z., perennial student of Chekhov, wants to be seen and overheard, and it has the most memorable final chapter of anything I've read in years."
T. F. Rigelhof, Globe and Mail
Caroline Adderson is a genius at picking out small details that reveal larger traits in the personalities of her characters
The Globe and Mail
“Part of Adderson’s gift is an ability to express her characters’ ethos in unexpectedly down-to-earth terms….Our post-9/11 era is often glibly bemoaned as a time of innocence lost. The Sky is Falling immerses us thoroughly and believably in the different paranoia of a not-so-bygone decade. Adderson suggests that fear is always looking for something to attach itself to, but that real danger often comes from the place we least expect….Nuanced, intelligent, and delightfully acerbic, Adderson is one of the most talented writers in Canada right now, and this is her finest novel to date.”
Quill & Quire