The Perfect Unravelling of the Spirit is about memory of being, being in body, spirit and speculation. It unravels the remembrances and cognitions forged in the mind as it recalls life through images that are intensely reflective, transtemporal, sensual, daunting and mournful, sometimes feeling like never-ending, lazy arias. As we move from poem to poem, we dwell in magnificent displays of sensations, ideas, and moods, happy and sorrowful, pleading and celebratory, allowing ourselves to reconstruct life through the physicality of the body or the world, perceiving their pulsating powers and anchoring ourselves in the house that we sometimes forget we have. The collection is also about memory of place, of family, of birth, and memory obtained through formal learning, and how that memory, in all its dimensions, is transposed to the page, recreated and reinvented. Deeply philosophic as well as lyrical, the collection interrogates the idea of memory in multiple narratives that juxtapose various modes of expression, argumentation, mood, imagery, tone, and cultural references.

Irene Marques is a bilingual writer (English and Portuguese) and Lecturer at Ryerson University in the English Department, where she teaches literature and creative writing. She holds a PhD in Comparative Literature, a Masters in French Literature and Comparative Literature and a BA (Hon.) in French Language and Literature all from the University of Toronto?and a Bachelor of Social Work from Ryerson University. Her literary publications include the poetry collections Wearing Glasses of Water (2007), The Perfect Unravelling of the Spirit (2012), and The Circular Incantation: An Exercise in Loss and Findings (2013); the Portuguese language short-story collection Habitando na Metáfora do Tempo: Crónicas Desejadas (2009) and the novel My House is a Mansion (2015). Her academic publications include, among others, the manuscript Transnational Discourses on Class, Gender and Cultural Identity, and numerous articles in international journals or scholarly collectives, including African Identities: Journal of Economics, Culture and Society; Research in African Literatures; A Companion to Mia Couto; Letras & Letras; InterDISCIPLINARY: Journal of Portuguese Diaspora Studies; African Studies; and Portuguese Studies Review. Her Portuguese-language novel, Uma Casa no Mundo, won the 2019 Imprensa Nacional/Ferreira de Castro Prize and is now published by Imprensa Nacional Casa da Moeda. She lives in Toronto. www.irenemarques.net

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"The Perfect Unravelling of the Spirit ties the secular rituals of everyday to sacred rites of passage, binding language to love and longing, and to the livelihoods that are Irene Marques' birthright. These poems bring new and old worlds into dialogue, and poetry into the presence of timeless, generous spirits." --Edward Chamberlin, If This is Your Land, Where Are Your Stories?