In Greater America, with sleep under siege, this lucid and prophetic novel of ideas depicts the end of human reverie. "S. D. Chrostowska achieves unexpected buoyancy in spite of the intensity of her material. Permission, certain to be among the most formally adventurous books published this year, will thrill readers of fearless stylists like Blanchot, Barthes, and Anne Carson. In its obsessive intricacy, it evokes even earlier forbears: those wonderfully melancholy European humanists, Thomas Browne and Robert Burton.'Every Library is a haunted cemetery,' writes F. Wren, the narrator of Permission. This fine and perplexing novel is itself something between a library and a cemetery, spinning around the hauntings of desire, the confusions of memory, the ambiguities of solitude and, above all, the mystery of writing." - Teju Cole
An unnamed, unemployed, dream-prone narrator finds himself following Chevauchet, diplomat of Onirica, a foreign republic of dreams, to resist a prohibition on sleep in near-future America. On a mission to combat the state-sponsored drugging of citizens with uppers for greater productivity, they traverse an eerie landscape in an everlasting autumn, able to see inside other people's nightmares and dreams. As Comprehensive Illusions - a social media-like entity that hijacks creativity - overtakes the masses, Chevauchet, the old radical, weakens and disappears, leaving our narrator to take up Chevauchet's dictum that "daydreaming is directly subversive" and forge ahead on his own.
In slippery, exhilarating and erudite prose, The Eyelid revels in the camaraderie of free thinking that can only happen on the lam, aiming to rescue a species that can no longer dream.
S. D. Chrostowska is Professor of Humanities and Social & Political Thought at York University, Toronto. She is the author of Literature on Trial: The Emergence of Critical Discourse in Germany, Poland, and Russia, 1700-1800 (2012); Permission: A Novel (2013); and Matches: A Light Book (2015, 2nd enlarged ed. 2019), and co-editor of Political Uses of Utopia: New Marxist, Anarchist, and Radical Democratic Perspectives (2017).