The years 1774-77 saw Fanny Burney's increasing occupation with Evelina, which she finally completed and presented to the publisher Thomas Lowndes. Like her novel, the journals and letters of this period reveal her artistic powers, as she continues to sketch characters with economy and precision and create convincing narratives out of the events of her life. Among the more memorable figures she meets at her father's London house are the "noble savage" Omai, the first Tahitian brought back to England; the famed explorer James "Abyssinian" Bruce, who returned from Africa with tales of natives who ate raw flesh; and Prince Aleksei Orlov of Russia, who had Czar Peter III murdered in order to permit Peter's wife, Catherine "the Great," to ascend the throne. Other notable figures include Dr Samuel Johnson and the great singer Lucrezia Agujari, admired by Mozart. Also in these pages, the usually diffident Miss Burney takes charge of her destiny by rebuffing her suitor Thomas Barlow, who has wealth, education, good looks, and the vehement approval of most of her family, but whom she finds a total bore. The journals and letters of Fanny Burney are an invaluable source for anyone interested in the social and literary history of late eighteenth- and early nineteenth-century England. Lars Troide has supported the texts with thorough and detailed annotations.

Fanny Burney was best known in her own time as the author of Evilina and other novels. Her modern reputation, however, rests primarily on her extensive journals and letters. The third of eleven children of Charles Burney, an eminent musician, author, and composer, she began keeping a journal of her experiences in London's musical, theatrical, and literary circles as a shy and precocious girl of 15.

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"This edition will become the standard ... in combination with the edition as a whole, [it] will enable Fanny Burney to take her place with the major figures of this or any literary age ... This is a superb piece of editing ... Professor Troide holds himself to a standard that all should appreciate. [This is] the kind of edition that can properly be called definitive ... serves a vital scholarly need in presenting a reliable edition of an important literary figure." John L. Abbott, Department of English, University of Connecticut.