**WINNER OF THE 2014 THRILLER AWARD FOR BEST NOVEL**
Fans of The Historian won’t be able to put down this spellbinding literary horror story in which a Columbia professor must use his knowledge of demonic mythology to rescue his daughter from the Underworld.
Professor David Ullman is among the world’s leading authorities on demonic literature, with special expertise in Milton’s Paradise Lost. Not that David is a believer—he sees what he teaches as a branch of the imagination and nothing more. So when the mysterious Thin Woman arrives at his office and invites him to travel to Venice and witness a “phenomenon,” he turns her down. She leaves plane tickets and an address on his desk, advising David that her employer is not often disappointed.
That evening, David’s wife announces she is leaving him. With his life suddenly in shambles, he impulsively whisks his beloved twelve-year-old daughter, Tess, off to Venice after all. The girl has recently been stricken by the same melancholy moods David knows so well, and he hopes to cheer her up and distract them both from the troubles at home.
But what happens in Venice will change everything.
First, in a tiny attic room at the address provided by the Thin Woman, David sees a man restrained in a chair, muttering, clearly insane… but could he truly be possessed? Then the man speaks clearly, in the voice of David’s dead father, repeating the last words he ever spoke to his son. Words that have left scars—and a mystery—behind.
When David rushes back to the hotel, he discovers Tess perched on the roof’s edge, high above the waters of the Grand Canal. Before she falls, she manages to utter a final plea: Find me.
What follows is an unimaginable journey for David Ullman from skeptic to true believer. In a terrifying quest guided by symbols and riddles from the pages of Paradise Lost, David must track the demon that has captured his daughter and discover its name. If he fails, he will lose Tess forever.
“Pyper’s novel is enthralling in its subdued intensity. There are no pyrotechnics à la William Peter Blatty’s The Exorcist—more a slow burn to a pulse-pounding end.”
“Pyper is an intelligent writer, steeped in Miltonian symbolism, gifted with language . . . This artful literary exploration of evil’s manifestation makes for a sophisticated horror tale.”
“This is storytelling that transcends the boundaries of genre: mystery (a vanished child), thriller (evil), a page-turner. It’s beautifully written, with layer upon layer of fear, redemption and deep feelings rarely expressed in a fiction. The Demonologist should not be missed.”
"Mesmerizing . . . The plot zigs and zags. Coincidences turn into horrors. Appearances deceive. This novel will haunt you relentlessly."
“A mesmerizing and melancholy narrative voice lends chilling credibility to this exceptional supernatural thriller.”
“A fast-paced Exorcist-meets-Da Vinci Code.”
“Looking at the premise . . . you could be forgiven for thinking you’re about to crack open another DaVinci Code imitator, a sensationalistic voyage of carefully placed clues, perfectly timed cliffhangers and impossible revelations. Don’t fall for it. In these pages, Pyper has done something more. . . . The Demonologist is at its heart a painfully human drama about loss, redemption and belief. . . . A surprisingly weighty page-turner.”
"A chilling exploration of how we all have to do battle with our own demons."
“A complex novel about loss, anger, faith, grief, love and forgiveness . . . [The Demonologist] will frighten you out of your shoes.”
“Plenty of books claim to be scary, but this is genuinely terrifying, don’t-read-late-at-night stuff. Thrilling, compelling and beautifully written, The Demonologist makes Rosemary's Baby feel like a walk in the park.”
“As compelling and smoothly chilling a tale as you’ll find this year. The Demonologist shows an enormously gifted writer at the top of his game, producing a novel of eerie menace and unique depth. Those of us who write supernatural stories do not throw the names Ira Levin, William Peter Blatty, and Peter Straub around lightly. You’ll be hearing all three associated with Mr. Pyper soon, and all such comparisons are warranted, the highest praise I can offer.”
“A chilling novel for readers who like their horror presented with literary flair.”
"This book is going to be big, and it’s going to be popular, and it absolutely deserves to be both of these things. You should buy it, and read it, and let it scare you stupid."
“Smart, thrilling, and utterly unnerving. Pyper’s gift is that he deeply respects his readers, yet still insists on reducing them to quivering children. I like that in a writer.”
"In the sly, creepy and often-horrific The Demonologist, Andrew Pyper knows how to get under the skin of even the most rational reader."
“The Demonologist is that rare thing—a novel that is both genuinely terrifying and erudite. The research is excellent and lightly worn, the pace and cleverness of the plot thrilling. One of the most exciting works of fiction I’ve read for some time.”
A stunningly crafted, intelligent and moving horror story . . . There is an elegance to the storytelling and a command of what evil may mean, that lingers with you long after the end. No surprise that it is in development as a major film.
“With The Demonologist, Andrew Pyper has created a truly blood-curdling work that will have readers looking over their shoulders and on edge from beginning to end. Whereas other classics in the genre have focused on battling evil, this novel seeks to understand the very nature of evil from its origins. The fact that he is able to breathe life into the book’s plausibility creates an unsettling feeling and completely satisfying horror read without ever becoming clichéd in the process.”
“Andrew Pyper is a rare breed. Reading The Demonologist is like running through a house on fire—you’ve got to get through; nothing will stop you. And when you’re out, brokenhearted and bewildered, you’re left wondering if what happened was real. That’s Pyper’s brilliance: he does it so well you never see the fiction. Contemporary and masterful, this is grown up horror for grown up people.”
"The evil of Milton's pandemonium comes to life . . . Pyper's novel takes on "things that go bump in the brain" and delivers a stirring entry in the supernatural thriller genre."
“The intellectual’s Stephen King, Pyper lifts a tale of the impossible to the realm of waking nightmare.”
“It’s impossible to ignore the devils and demons who have a tangible presence in this story, but the novel’s deeper pleasure comes from the analysis Ullman applies to these horrors . . . Bring on the devils.”
“Andrew Pyper’s satisfying prose propels a narrative sure to please readers with or without a dog-eared copy of Milton’s Paradise Lost on their shelves. If you’re looking for smart horror that chills without resorting to Grand Guignol, give The Demonologist a try.”
"Pyper’s a star because he writes so spectacularly. The entire story is drenched in dread, and his most terrifying scenes are so vivid, you’d best not be reading the book just before hitting the sack."
“Richly crafted, deliriously scary and compulsively page-turning from beginning to end. Imagine The Exorcist and The Da Vinci Code as penned by Daphne du Maurier. Don't miss this one!”
“Recommended for teens who enjoy intelligent, literary puzzles . . . Genuinely scary and unexpected.”
“Smart and astonishing, Andrew Pyper has created a recurring nightmare for adults. The Demonologist holds a mirror to the reader and reveals the places where our deepest darkness lurks. Like Milton’s Paradise Lost, this is the story of the human condition, the fall, and the way back. I slept with the light on for nights, too obsessed to stop reading and too terrified to dream.”
"Part horror, part thriller, all page-turner . . . The Demonologist has all the twisting excitement of a Dan Brown novel, and all the lurid, gory violence of a Stieg Larsson."
“A road tour of American-Gothic grotesquery. Effective, literate, nightmarish.”