"The cure for death by lightning was handwritten in thick, messy blue ink in my mother’s scrapbook, under the recipe for my father’s favourite oatcakes: Dunk the dead by lightning in a cold water bath for two hours and if still dead, add vinegar and soak for an hour more."
So begins Gail Anderson-Dargatz’s extraordinary first novel, a seductive and thrilling book that captures the heart and imagination, as filled with the magic and mystery of life as it is with its lurking evils and gut-wrenching hardships. The Cure for Death by Lightning sold more than a staggering 100,000 copies in Canada alone and became a bestseller in Great Britain, later to be published in the United States and Europe. It was nominated for the Giller Prize, the richest fiction prize in Canada, and received a Betty Trask Award in the U.K.
The Cure for Death by Lightning takes place in the poor, isolated farming community of Turtle Valley, British Columbia, in the shadow of the Second World War. The fifteenth summer of Beth Weeks’s life is full of strange happenings: a classmate is mauled to death; children go missing on the nearby reserve; an unseen predator pursues Beth. She is surrounded by unusual characters, including Nora, the sensual half-Native girl whose friendship provides refuge; Filthy Billy, the hired hand with Tourette’s Syndrome; and Nora’s mother, who has a man’s voice and an extra little finger. Then there’s the darkness within her own family: her domineering, shell-shocked father has fits of madness, and her mother frequently talks to the dead. Beth, meanwhile, must wrestle with her newfound sexuality in a harsh world where nylons, perfume and affection have no place. Then, in a violent storm, she is struck by lightning in her arm, and nothing is quite the same again. She decides to explore the dangers of the bush.
Beth is a strong, honest, and compassionate heroine, bringing hope and joy into an environment that is often cruel. The character of Beth’s haunted mother infuses the book with life by means of her scrapbook of recipes scattered throughout, with luscious descriptions of food, gardening, and remedies, both practical and bizarre. Seen through Beth’s eyes, the West Coast landscape is full of beauty and mysteries, with its forests and rivers, and its rich native culture.
The Globe and Mail commented that The Cure for Death by Lightning was "Canadian to the core," with hints of Susannah Moodie and Margaret Atwood and Alice Munro. Anderson-Dargatz’s vision of rural life has drawn comparisons with William Faulkner and John Steinbeck. A magic realism reminiscent of Latin American literature is also present, as flowers rain from the sky, and men turn into animals. Yet the style of The Cure for Death by Lightning, which the Boston Globe called "Pacific Northwest Gothic," is wholly original. Launched in a year with more than the usual number of excellent first novels (1996 was also the year of Fall On Your Knees by Ann-Marie MacDonald and Fugitive Pieces by Anne Michaels), this book with its assured voice heralds a worthy successor to Margaret Atwood, Carol Shields, Margaret Laurence and Alice Munro.
Turtle Valley is the fifth book to come from talented Canadian author Gail Anderson-Dargatz, whose novels have been published in several languages worldwide. Her first novel The Cure For Death By Lightning met with terrific acclaim and garnered her the UK’s Betty Trask Award and a nomination for Canada’s Giller Prize. A Recipe For Bees soon followed with nominations for the Giller and the IMPAC Dublin Award. A Rhinestone Button was a national bestseller in Canada and her first book, The Miss Hereford Stories, was shortlisted for the Stephen Leacock Memorial Medal for Humour.
Her style has been called “Margaret Laurence meets Gabriel García Márquez” because her writing tends towards magic realism, but Anderson-Dargatz says the ghosts and premonitions in her novels arise from her family’s stories of the Shuswap-Thompson area, which she carefully transcribed. “My father passed on the rich stories and legends about the region I grew up in, which he heard from the interior Salish natives he worked with,” she explains. “And my mother told me tales of her own premonitions, and of ghosts, eccentrics and dark deeds that haunted the area.”
Anderson-Dargatz has recently moved home to British Columbia’s Shuswap-Thompson area, that landscape found in so much of her writing. She is married to photographer Mitch Krupp, who took the beautiful photos that are reproduced throughout Turtle Valley. Now at work on her next novel, she is an adjunct professor in the creative writing optional-residency MFA program at the University of British Columbia.
Of her inspiration for Turtle Valley, Anderson-Dargatz writes, “It all started back in 1998 when I helped evacuate my parents from the Salmon Arm fire. Almost the whole city was evacuated, in what was the largest peacetime evacuation in the history of BC up to that time. It was both terrifying and visually beautiful, as fire quite literally rained down on the Salmon River Valley. Even as we went through it, I knew I would write of it someday, and I did, in Turtle Valley.”
From the Hardcover edition.
"Superlative … A coming-of-age story like no other, by turns charming, funny and terrifying … Anderson-Dargatz’s prose is lyrical, precise and infused with offbeat humour; she magically – and realistically – paints the details of rural life in wartime British Columbia. Beth Weeks – strong, confused, abused, touched by magic and blasted by lightning – is simply one of the most engaging young heroines in years."
—The Globe and Mail
"This is a haunting, stunning debut … overlapping the mundane with the extraordinary, Anderson-Dargatz creates a multi-layered tale of considerable power and suspense."
—The Toronto Star
"Some first novelists tiptoe. Not Gail Anderson-Dargatz. She makes her debut in full stride, confidently breaking the rules to create a fictional style we might call Pacific Northwest Gothic. Its spookiness doesn’t settle like a Southern miasma; it breaks like thunder from a calm sky and rolls invisibly away."
—Boston Sunday Globe
"Gail Anderson-Dargatz has a noticing eye, a voice as unique as the countryside she writes about, and a heart large enough to love her entire cast of distinct and memorable characters. In The Cure for Death by Lightning she fashions an irresistible song out of the joys and dangers of growing up, the mysteries and wonders of life on a farm, the thrilling terror of trying to outrun the awful unseen force that pursues a growing girl. This novel opens a door to a shining, surprising world."
"Those who go hunting for ‘the next Margaret Laurence’ or ‘the next Alice Munro’ might find themselves perusing Gail Anderson-Dargatz … If Margaret Laurence were alive today, she’d be looking over her shoulder – not with worry, but anticipation. Anderson-Dargatz is the real thing."
—The Calgary Herald
"… As beautiful as it is uplifting. The struggle to find love in such an emotionally barren landscape, and Beth’s dignity in the face of massive dysfunction, make her a remarkable heroine. The novel has culled the best from many fictional worlds – including Márquez’s magical realism, Faulkner’s Gothic claustrophobia, Ondaatje’s lyricism, and Flannery O’Connor’s engaging outcasts – to create a work that is startlingly original."
—Quill & Quire
"A robust but richly observed coming-of-age story of a complex young woman whose growth and resilience are celebrated without an iota of sentimentality."
"I loved it from the first page. She is fluent and graceful and there’s a passion there, a tension, in fact all I want from a novel. The writing is so powerful and yet holds back, showing a restraint that tightens the whole atmosphere. I was gripped."
"Like lightning in the distance, Anderson-Dargatz’s novel signals a strong force on the literary horizon."
"Brilliant.... A wonderful and challenging, truly bewitching novel, a unique work by an original voice....[Anderson-Dargatz] gives full reign to an amazing imagination and a compelling sense of time and place.... Like all powerful works of imagination, The Cure for Death by Lightning must be inhabited to be appreciated."
"Unusual and stimulating...Intriguing.... The dialogue is excellent, the characters well-drawn. The novel has real depth and integrity of voice. Its world is compelling, unusual and emotionally haunting."
—Books in Canada
"A truly realized, completely gripping personal reconstruction of history, Salman Rushdie’s Midnight’s Children meets Like Water for Chocolate in this bold addition to the Canadian cannon."