The Crisp Day Closing on My Hand: The Poetry of M. Travis Lane is a collection of thirty-five of her best poems, selected with an introduction by Jeanette Lynes. An environmentalist, feminist, and peace activist, M. Travis Lane is known for witty and meticulously crafted poems that explore the elusive nature of “home” in both historical and present contexts and reflect on the identity of the woman poet and what it means to be a writer. Lane’s poems exhibit impressive range and variety—long poems, short lyrics, serial poems, poems inspired by visual art—and are richly attentive to the landscapes, both urban and wild, of her New Brunswick home. They voice a sense of urgency with respect to ecological crises and war; her poetic attention fixes unwaveringly on the smallest pebble on the coast of Fundy but is equally attuned to global patterns of destructive domination.
In her introduction “As Opportunity for Grace, This Life May Serve”, editor Jeanette Lynes discusses how Lane’s poetry integrates an ecopoetic vision with explorations of the artist’s task of mapping her world. Lane’s afterword reinforces her sense of the poet’s project as a form of mystical play, a search for patterns in the “unified disunities” of all things.

One of Canada's most distinguished writers, M. Travis Lane lives in Fredericton, New Brunswick. She received her B.A. (Junior PBK) from Vassar College, and her M.A. and PhD. from Cornell University. She and her husband Lauriat Lane came to New Brunswick in 1960. Travis taught briefly at Cornell and at the University of New Brunswick and is a Honorary Research Associate with the English department at U.N.B. She is a member of the Voice of Women for Peace and a Raging Granny, a member of the Writer's Federation of New Brunswick and a Lifetime member of the League of Canadian Poets.

She has published nineteen books of poetry and two of prose. She has received numerous awards for her writing, including the Pat Lowther Memorial Award, the Alden Nowlan Award for Excellence in Literary Arts, and the Lieutenant Governor’s Award for High Achievement in Literary Arts. She was also shortlisted for the Governor General's Award for Poetry in 2015.

M. Travis Lane's profile page

It's Hard Being Queen: The Dusty Springfield Poems is Jeanette Lynes` fourth collection of poetry. Her previous collections are Left Fields (Wolsak and Wynn, 2003, shortlisted for the Pat Lowther Award), The Aging Cheerleader’s Alphabet (Mansfield Press, 2003), and A Woman Alone on the Atikokan Highway (Wolsak and Wynn, 1999). Her awards include the Ralph Gustafson Poetry Prize, the Bliss Carman Award, and first prize in the Grain Postcard Story Competition. She has been a visiting artist / writer-in-residence at Queen’s University, Northern Lights College in Dawson Creek, and the Saskatoon Public Library, as well as a faculty member of Francis Xavier University and the Sage Hill Writing Experience. She is currently co-editor of The Antigonish Review.Jeanette Lynes grew up on a farm in Alice Munro country while "Son of a Preacher Man" played on transistor radios everywhere.

Jeanette Lynes' profile page

Excellently selected and edited by Jeanette Lynes for the Laurier Poetry Series, this tidy text renders Lane's oeuvre accessible to new readers.

Kit Dobson, The Dalhousie Review, 2009 June

The aspect I admire most about this selection is the sheer range of Lane's imagination.... Wisdom is found in abundance in this collection.... There are two quotations from the afterword that sum up for me the experience of reading M. Travis Lane. 'Mystery, I think, is the cheif subject of poetry' (77) and 'a poem is not a message, but a sharing' (79). There is a seeking spirit moving through these poems, and readers will be grateful for what it shares.

Ian LeTourneau, PoetryReviews, September 2009, 2011 April

[A]s someone who only discovered Lane's work with Temporary Shelter in 1993, I appreciate the opportunity to read earlier poems and to glimpse the chronological evoluation of her craft.... Even though this book is aimed at students as well as general readers, with its useful introduction and generous Afterword, in which we meet the poet stepping outside her craft to say what is and has been important to her, the beating heart of it is of course in the poems themselves.

Barbara Myers, ARC Poetry Magazine, 60, Summer 2008, 2008 August