The Book of Sensations by Sheri-D Wilson embodies an intricate ecosystem of language and feeling. These poems reach their roots down into the depths of what it means to be-to connect to one another, and to connect to the earth. With fine-tuned vocabulary, far-reaching observation, and the dream-vision of the surrealist eye, Sheri-D delves into the personal and the universal, the everyday and the mythical. This book is full of poignant sensations and astonishing realizations. This is a book of life and experience. Put it in your pocket and immerse yourself in a world of sensations.

The "Mama of Dada"
Poet, film-maker, educator, producer, and activist Sheri-D Wilson has 7 collections of poetry; her most recent, Autopsy of a Turvy World (2008, Frontenac House). Her last collection, Re:Zoom (2005, Frontenac House), won the 2006 Stephan G. Stephansson Award for Poetry, and was shortlisted for the CanLit award. She has 2 Spoken Word CDs (arranged by Russell Broom), and 4 award-winning VideoPoems: Airplane Paula (2001), Spinsters Hanging in Trees (2002), Surf Rave Girrly Girrl (2004), and The Panty Portal (2008), all produced for BravoFACT.

Awards Include: CBC Arts Top Ten Poets in Canada (2009), ffwd Readers' Choice - Best Poet ( 2008, 2007), Global TV's Woman of Vision Award (2006), SpoCan Award (2005), Bumbershoot Heavyweight Title for Poetry USA (2003), Gold Award at the Houston Film Festival (2003), Three ACE awards (2003), AMPIA (2003, for best short or vignette), CBC Face-off (2002)

Reading Highlights: Blue Met 2009 (Montreal), Voix d'Amériques 2008,'05 (Montreal), Bumbershoot 2003, '99, '92, '91, '89 (Seattle), Vancouver International Writers Festival 2002, '00, '95, '93, '90 (Vancouver), The World Poetry Bout 2002 (Taos, New Mexico), Poetry Africa 2001 (South Africa), WordFest 2008, 2000, '95 (Calgary, Banff), Harbourfront Reading Series 1993 (Toronto), Small Press Festival 1990 (NYC).

Other Highlights:Women and Words, 2003-2007 (instructor), First Time Eyes: Unearthing Spoken Word, 2007 essay (Canadian Theatre Review), Heart of a Poet, 2006, featured poet documentary series, Bowery Project, 2005 (Instructor), Alberta Scene, 2005 (a commemoration of Alberta's centennial), Human Rights Symposium 2005: Victoria, Sounds Like Canada, 2002 CBC Poet in Residence, Addicted: Notes From The Belly Of The Beast, 2001 essay entitled Blackout, Confessions a Jazz Play, 1991 text of play (Theatrum). Of the beat tradition, in 1989 Sheri-D studied at Naropa University's Jack Kerouac School of Disembodied Poetics, in Boulder, Colorado.

Since founding the Calgary International Spoken Word Festival in 2003, Sheri-D has worked at quantum velocities to present the largest Spoken Word Festival in Canada. Driven by the passion to connect people, voices and ideas she organized SWAN (Spoken Word Arts Network, 2007, 2005), produced the 2008 National Slam of Canada and is the Program Director of the Spoken Word Program at Banff Centre.

calgaryspokenwordfestival.comsheridwilson.com

Sheri-D Wilson's profile page

Sheri-D Wilson turns language on its head, exuberantly coining new words that seem absolutely necessary-like arborolatry (a great word for idolizing trees). Her mastery of sound is hypnotic.

- Kerry Clare, 49th Shelf

Sheri-D Wilson's The Book of Sensations is as much, or moreso, about language as it is about Sensations… In many of the pieces, it's difficult not to give an oral rendering, and I found myself getting caught in my own word play, taking her logo-vein and lengthening it, then being pulled back to her artery - an interesting combination of writer and reader's voice I have a feeling this was intentional. ... Wilson is clearly a reader who loves the taste and feel of words on her tongue as they rumble in her mouth, and bounce on the tympanum of the ear. - Beth Everest, Freefall Magazine

Emily Ursuliak's Throwing the Diamond Hitch offers an insightful and endearing literary testament of Phyllis and Anne's 1951 trip from the west coast to the Rockies and back again. The story ties together many seeming dichotomies: the mixture of poetry and prose, the factual accounts from the journal and literary interpretations, third person omniscience and first person accounts, and the triumph of Anne and Phyllis' individuality and the connection to the community they discover. This omnipresent layering leaves you longing to return to the story to unweave that hitch, but it is this literary knot that makes the work so intriguing in the first place.

- Logan Pollon, Freefall Magazine