Such a Lovely Afternoon is a dazzling debut collection from award-winning Yukon writer Patti Flather.

A feisty young tomboy grapples with gender roles with sometimes hilarious results, a refugee single dad struggles for dignity in his northern community, and a malfunctioning compost toilet and wacky neighbours upturn a woman's island cabin life, among other tales.

Against vivid landscapes from Canada's West Coast to Hong Kong to the Yukon, Flather reveals poignant beauty, compassion and humour in everyday lives, with characters searching for identity and belonging, delving into their resilience and humanity.

Patti Flather's profile page

Patti Flather is an award-winning author. Her plays Paradise and Sixty Below have been shared on stages across Canada and published. Where the River Meets the Sea won the Canadian National Playwriting Competition, her radio play West Edmonton Mall was nominated for a Canadian Screenwriting Award, and her stories have appeared in literary magazines. A winner of the Borealis Prize for Yukon literary contribution, Patti has an MFA in Creative Writing from the University of BC. She grew up in North Vancouver, BC, and lives in Kwanlin Dün First Nation and Ta?an Kwäch?än territory in Whitehorse, Yukon.

?Fall into Such a Lovely Afternoon in the middle of the night. These take-no-prisoners, let-your-hair-down stories are a heart-to-heart with your BFF about love, loss, and the lives of women making themselves up in the late 20th century, choice by choice, at the edge of the world. Patti Flather's stories are literary lightning!"
¡Linda Svendsen, Guggenheim winner and author of Marine Life and Sussex Drive

?Patti Flather's tender stories transported me in place and time and into the lives of characters who were rendered so powerfully that they, by turn, broke my heart and made me smile with laughter. Such A Lovely Afternoon is the fiction debut of a seasoned and accomplished storyteller."
—Kevin Chong, author of The Double Life of Benson Yu

"In story after story, Patti Flather sweeps aside the veil that blurs our days, giving us glimpses of the raw reality lurking behind our everyday lives: a crude remark from a friend, a brief but vicious argument, landing a dead-end job—and then it's back to the ordinary. Her vision is like a flash of muscle under torn skin, reminding us that one of these days, maybe tomorrow, the skin is not going to heal."
—Wayne Grady, author of The Good Father