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list price: $25.00 USD
edition:Paperback
category: Music
published: Aug 2012
ISBN:9780262517959
publisher: The MIT Press

Sonic Warfare

Sound, Affect, and the Ecology of Fear

by Steve Goodman, series edited by Erin Manning & Brian Massumi

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history & criticism, computers & technology
0 of 5
0 ratings
rated!
rated!
list price: $25.00 USD
edition:Paperback
category: Music
published: Aug 2012
ISBN:9780262517959
publisher: The MIT Press
Description

An exploration of the production, transmission, and mutation of affective tonality—when sound helps produce a bad vibe.

Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread—to produce a bad vibe. Sonic weapons of this sort include the “psychoacoustic correction” aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or “sound bombs”) over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations.

Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture.

Goodman concludes with speculations on the not yet heard—the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths.

About the Authors
Steve Goodman is a Lecturer in Music Culture at the School of Sciences, Media, and Cultural Studies at the University of East London, a member of the CCRU (Cybernetic Culture Research Unit), and the founder of the record label Hyperdub.
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Steve Goodman is a Lecturer in Music Culture at the School of Sciences, Media, and Cultural Studies at the University of East London, a member of the CCRU (Cybernetic Culture Research Unit), and the founder of the record label Hyperdub.
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Brian Massumi is Professor in the Department of Communication Sciences at the University of Montréal. He is the author of Parables for the Virtual: Movement, Affect, Sensation and A User's Guide to Capitalism and Schizophrenia: Deviations from Deleuze and Guattari (MIT Press).
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