What is it about the desolate far North American wilderness that calls the intrepid traveler to uncover its sanctifying and deadly secrets? From Jack London (Call of the Wild) to Christopher McCandless (chronicled in Jon Krakauer’sInto the Wild) souls have found solace in the silent, frozen northern kingdom at the top of the world, the Ultima Thule.

The forested flatlands give way to the frozen Rocky Mountains over millions of acres nominally in the dominion of both the United States and Canada and accessible by its 1532 mile shared umbilical cord—The Alcan Highway. Legendary vagabond, Jim Christy, a Canadian now but born an American travels this road throughout his life. First as a young man in the early 1960s hungry forrugged adventure then revisiting the journey every few years both observing and reflecting on the growth of Northwest in theRough Road to the North.

Christy vividly describes the history of the indigenous people and the hearty (and often foolhardy) pioneers who built the Alcan highway and opened the northern road. Christy’s lyrical text weaves fulsome magic about the siren call of the last unconquered land of North America.

“What is the lure of this great land, this ultimate northwest Ultima Thule? Something other than the sun and its natural wonder and the drama of its history. There is no other place on earth like it, not even remotely, and if you have spent considerable time her as have I, it keeps tugging at you when you are gone. It offers, as few other places do, the promise of flat-out, old fashioned adventure. It is inhabited by a kind of people who just do not exist anywhere else. Furthermore, is heartbreakingly beautiful. It has had its bards but never the epic poet it deserves because before its grandeur and ferocity one can only be overwhelmed, humbled, silenced.” — Jim Christy

Always in search of original characters and experiences, Jim Christy is a literary vagabond with few peers. He was once described by George Woodcock as ‘one of the last unpurged North American anarchistic romantics’. His publisher has called him a hip Indiana Jones; one reviewer credited him with a ‘Gary Cooper-like presence’. His buddies have included hobos, jazz musicians, boxers, and non-academic writers such as Charles Bukowski, Peter Trower and Joe Ferone. “I never dismiss another’s story out of hand,” he writes, “no matter what it’s about or how outrageous it may seem.” Christy’s often wry reminiscences of his travels, trysts and trials are fueled by a hard-won pride. A gardener, a sculptor and a spoken word performer with a jazz/blues ensemble, Christy has been seen in film and television productions, usually in non-speaking roles as a thug or a gangster.

Born in Richmond, Virginia on July 14, 1945, Jim Christy grew up in South Philadelphia, a tough area featured in his autobiographical novel Streethearts, and also featured in Sylvester Stallone’s Rocky movies. “Boxing was in the air,” he once recalled. “You knew people who had boxed; if Dickens had been around he would have written about boxing.” Christy later wrote about boxing as a business and a sub-culture, in Flesh & Blood. Christy began running away from home around age twelve, once getting as far as the outskirts of Buffalo. He befriended one of his closest friends and mentors, Floyd Wallace, a hobo, a former boxer and a former soldier of fortune, and learned to ride the freights at a young age. Christy came to Canada in October of 1968, to evade the Viet Nam war draft, and was active in co-founding two shortlived underground press publications in Toronto. His first book concerned draft resisters in Canada. Christy became a Canadian citizen as soon as possible. While researching Rough Road to the North, he became fascinated by the life of Charles Eugene Bedaux, and subsequently wrote a biography called The Price of Power. Other outsiders who have struck Christy as heroes include a veteran carnival performer named Marcel Horne, jazz musician Charlie Leeds, leftist Emma Goldman and explorer Sir Richard Francis Burton.

Jim Christy first came to Vancouver in December of 1981 to promote his novel Streethearts, and remained on the West Coast for many years, adopting Gibsons on the Sunshine Coast as his home base. An artist, gardener, prolific freelance journalist and an ex-regular on American Bandstand, Christy has evolved his own King of the Road outsiderism into a cool-headed series of ‘noir’ fiction featuring a tough-talking private detective in Vancouver named Gene Castle. The series opens in 1937 with Shanghai Alley and moves forward to 1939 in the second Gene Castle gumshoe mystery, Princess and Gore, a title drawn from two street names in Vancouver’s Downtown Eastside. The third Castle mystery is Terminal Avenue, another title drawn from a street name. It features the bullet-eating detective searching for the kidnapped daughter of a Nazi resistance leader. Jim currently lives in Ontario.

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