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Music General

Representing Russia's Orient

From Ethnography to Art Song

by (author) Adalyat Issiyeva

Oxford University Press
Initial publish date
Dec 2020
  • Hardback

    Publish Date
    Dec 2020
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Throughout history, Russia's geo-political and cultural position between the East and West has shaped its national identity. Representing Russia's Orient tells the story of how Russia's imperial expansion and encounters with its Asian neighbors influenced the formation and development of Russian musical identity in the long nineteenth century. While Russia's ethnic minorities, or inorodtsy, were located at the geographical and cultural periphery, they loomed large in composers' perception and musical imagination and became central to the definition of Russianness itself.

Drawing from a long-forgotten archive of Russian musical examples, visual art, and ethnographies, author Adalyat Issiyeva offers an in-depth study of Russian art music's engagement with oriental subjects. Within a complex matrix of politics, competing ideological currents, and social and cultural transformations, some Russian composers and writers developed multidimensional representations of oriental "others" and sometimes even embraced elements of Asian musical identity. In three detailed case studies - on the leader of the Mighty Five, Milii Balakirev, Decembrist sympathizer Alexander Aliab'ev, and the composers affiliated with the Music-Ethnography Committee - Issiyeva traces how and why these composers adopted "foreign" musical elements. In this way, she provides a fresh look at how Russians absorbed and transformed elements of Asian history and culture in forging a national identity for themselves.

About the author

Contributor Notes

Adalyat Issiyeva teaches at McGill, Carleton, and Concordia Universities in Canada. She is the author of a number of articles on Russian Orientalism, including a recent contribution to Rimsky-Korsakov and His World for the Bard Music Festival Book Series. Her research interests include Russian music, Orientalism, nationalism and identity formation, (music) ethnography, Central Asian music and culture, and the politics of representation. In addition to her academic career, she has represented Uighur traditional dance and songs at a number of folk festivals, including the Smithsonian Silk Road Festival.