Taken from the Anishinaabe for “woman wearing red,” Miskwagoode is an unsettling portrayal of unreconciled Indigenous experience under colonialism, past and present.

Miskwagoode, the woman in the red dress, is Annharte, and she is Annharte’s mother, who disappeared when the poet was a girl. Miskwagoode is Annharte’s new book about her mother loss, her “mothermiss”, about all the women “buried in common enough / cross-generational graves”.

Marked with her characteristic sharp eye and humour, and hard earned wisdom about the “ominous progress ahead”, Annharte’s fifth collection encompasses the poet’s experiences as an Anishinaabe Elder, “witness not survivor”, writing of the weight of a present and persisting colonialism.

In her sly, cheeky riffs on life behind the “buckskin curtain” at the margins of settler society, Annharte tells us about granny circles, the horny old guys, and getting your hair done. But these poems about rez life and the community and belonging it offers are set against the background radiation of the poverty and the sicknesses, despair, violence, sexism, and sexual abuse, the legacies of unequal relations.

Miskwagoode concludes with “Wabang,” a suite of short poems comprising Annharte’s own thumbnail transcontinental Indigenous mythology.

Annharte, aka Marie Baker, is Anishinabe (Little Saskatchewan First Nations, Manitoba). She currently lives in Winnipeg where she is a writer, educator, performance artist and cultural arts student. She is the author of Being on the Moon (1990), Coyote Columbus Cafe (1995) and Indigena Awry (2012). She also has a book of essays, AKA, out in 2012 from Capilano University Editions.

Marie Annharte Baker's profile page