This book examines the representation of masculinities in the fictions and autobiographies of some of Canada's most exciting writers, including Austin Clarke, Dany Laferrière, Neil Bissoondath, Michael Ondaatje, Ven Begamudré, and Rohinton Mistry, to show how cross-cultural migration disrupts assumed codes for masculine behaviour and practice. It is the first book-length study of masculinities in Canadian literature and also the first to discuss these prominent postcolonial writers in relation to one another.

Coleman founds his study on the belief that literary endeavour is socially productive, reflecting but also participating in the production of social practices and identities, and therefore it is a work of cultural commentary as well as literary criticism. The book contends that we can produce alternative masculinities by reading masculinities that challenge our current assumptions, by reading masculinities that are themselves composed of contradictory segments rather than monolithic wholes, and by reading alternatively to elaborate a plethora of masculinities. By including fragments of the author/critic's own autobiography in the text, it also dispenses with the illusion of the all-knowing, unbiased reader.

Masculine Migrations is cutting-edge scholarship and an eminently readable book, which will challenge, provoke discussion, and encourage cross-disciplinary dialogue.

Daniel Coleman is a recently retired English professor who is grateful to live in the traditional territories of the Haudenosaunee and Anishinaabe in Hamilton, Ontario. He taught in the Department of English and Cultural Studies at McMaster University. He has studied and written about Canadian Literature, whiteness, the literatures of Indigeneity and diaspora, the cultural politics of reading, and wampum, the form of literacy-ceremony-communication-law that was invented by the people who inhabited the Great Lakes–St. Lawrence–Hudson River Watershed before Europeans arrived on Turtle Island.

Daniel has long been fascinated by the poetic power of narrative arts to generate a sense of place and community, critical social engagement and mindfulness, and especially wonder. Although he has committed considerable effort to learning in and from the natural world, he is still a bookish person who loves the learning that is essential to writing. He has published numerous academic and creative non-fiction books as an author and as an editor. His books include Masculine Migrations (1998), The Scent of Eucalyptus (2003), White Civility (2006; winner of the Raymond Klibansky Prize), In Bed with the Word (2009) and Yardwork: A Biography of an Urban Place (2017, shortlisted for the RBC Taylor Prize).

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