“Ruby wrote letters home almost every week....She wrote anything that came into her head: about her children and Fred, her housekeeping, food, clothes, her friends, activities, schemes for making money, her dreams for the future....Her letters, nave, intimate and lively, were always optimistic or poignant. We’d read them to each other on the phone or pass them around. Often we saved them.”
So writes Edna Staebler in her introduction to this edited collection of her sister Ruby’s letters from the fifties. In 1957 when Edna first began to collect and edit these letters she did so simply because she was sure that others would enjoy reading them as much as her own family did. Over fifty years later, the letters remain a joy to read and reclaim the ordinary voice of a housewife. Remarkably, these letters echo themes academics want to isolate in order to analyze women’s roles in the modern world — drifting (“life just happened to me”) and contingency (“women’s lives depend on relationships”), for example, as well as the balance between family and work. As a fine example of women’s life writing they also illustrate the literary patterns of overt and covert stories and of textual and subtextual meaning.
Haven’t Any News: Ruby’s Letters from the Fifties includes an Afterword by Marlene Kadar, Associate Professor of Humanities at York University and a leading expert on women’s life writing. All those concerned with women’s studies and with the social history of twentieth-century Canada will find this book of enormous interest and it will delight Edna Staebler fans everywhere.

Edna Staebler who recently passed away in her 101st year was an award-winning journalist and a regular contributor to Maclean’s, Chatelaine, and many other magazines. She is the author of Cape Breton Harbour, Places I’ve Been and People I’ve Known and the Schmecks cookbook series. Must Write: Edna Staebler’s Diaries, edited by Christl Verduyn, was published by Laurier Press in 2005.

Rose Murray, a former English teacher, studied cooking techniques in Paris, Costa Rica, and Hong Kong. Her recipes have regularly appeared in Canadian Living, Elm Street, and Homemakers. The author of nine cookbooks, including A Year in My Kitchen and The Canadian Christmas Cookbook, and contributor to more than forty others, Rose Murray lives in Cambridge, Ontario.

Wayson Choy is the author of Paper Shadows, The Jade Peony, and All That Matters. He was the subject of Unfolding the Butterfly, a full-length film documentary by Michael Glassbourg and has appeared on television and radio across Canada. He is presently working on his second memoir as well as a novel.

Edna Staebler's profile page

Marlene Kadar is an associate professor in humanities and women’s studies at York University, and the former director of the graduate programme in interdisciplinary studies. Her publications include Essays on Life Writing, which won the Gabrielle Roy Prize (English) for 1992. Kadar’s research interests include the politics of life writing, especially as represented in survivor narratives; the construction of privilege and knowledge in women’s life writing; and, Hungarian and Romani autobiography and historical accounts, biographical traces and fragments.

Susanna Egan is a professor in the department of English at the University of British Columbia. Her most recent monograph is titled Mirror Talk: Genres of Crisis in Contemporary Autobiography.

Jeanne Perreault is a professor in the Department of English at the University of Calgary and is the author of Writing Selves: Contemporary Feminist Autography.

Linda Warley teaches in the Department of English Language and Literature at the University of Waterloo. She has published articles in journals such as Canadian Literature, a/b: Auto/Biography Studies, and Reading Canadian Autobiography, a special issue of Essays on Canadian Writing.

Marlene Kadar's profile page

Access to this type of normally private commentary is an inestimable boon to the social historian. The physical, intellectual, and emotional work of making a life for oneself, one's family, and one's community are movingly laid out in details that few public documents preserve. Ruby's letters ultimately supply a salutary reminder of the past's, indeed our parents,' right to tell their own story in their own way. If we listen closely to Ruby and her contemporaries, we will learn that the generation of the 1950s represents more than mere creators of today's self-absorbed boomers.,

Canadian Historical Review