Ground Rules features writing from the second decade of one of the most active micro publishers in Canada, selected from a series of hundreds of publications lovingly edited, produced and distributed by editor/publisher rob mclennan. A follow-up to Groundswell: best of above/ground press, 1993-2003 (Broken Jaw Press, 2003), Ground rules includes a wide range of work by Artie Gold, Mark Cochrane, Suzanne Zelazo, derek beaulieu, Stephanie Bolster, Amanda Earl, Nathana‘l, Lisa Samuels, Rachel Zolf, Sharon Harris, D. G. Jones, Julia Williams, Eric Folsom, Gregory Betts, Natalie Simpson, Monty Reid, William Hawkins, Emily Carr, Cameron Anstee, Helen Hajnoczky, Marilyn Irwin, Stephen Brockwell, Robert Kroetsch and rob mclennan.
rob mclennan is the author of some two dozen trade books of poetry, fiction and non-fiction, won the CAA/Air Canada Prize in 1999, the John Newlove Poetry Award in 2010, and was longlisted for the CBC Poetry Prize in 2013. He has edited collections for numerous presses, including YOU AND YOUR BRIGHT IDEAS: NEW MONTREAL WRITING (w/ Andy Brown, Vehicule Press, 2001), side/lines: A New Canadian Poetics (Insomniac Press, 2002),evergreen: six new poets (Black Moss Press, 2002), Decalogue: Ten Ottawa Poets (Chaudiere Books, 2006), Decalogue 2: Ten Ottawa Fiction Writers (Chaudiere Books, 2007) and the forthcoming Nebulous medicine: the essays, statements and reviews of Andrew Suknaski (Writer as Critic Series, NeWest Press, 2014).
“Working out of Ottawa, poet and publisher rob mclennan’s baby, above/ground press, marks a second decade of the production of broadsheets, chapbooks, magazines, and anthologies that trace out the best shapes of the best of contemporary Canadian (and, increasingly, international) poetry. From the span of that second ten of years, he has compiled this book of traceries: a selection of work by writers ranging from the likes of the late Artie Gold, and Robert Kroetsch, to the living derek beaulieu, Rachel Zolf, Eric Folsom, Natalie Simpson, etc., all collected here as representative of a decade’s aesthetic count.”—from Gil McElroy’s “Introduction: An Integral”